Inglis Collection of printed music > Printed text > Essay to the advancement of musick
(23) [Page ix]
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The Contents.
IF. To the Viol, where the different
Cliffs being laid ajide, and the Notes
rightfully inheriting the places of their
oltaves. ( Page 46.) There is not half
the time and pains required to be per-
fect in the book as formerly 3 and he
that (hall, or can already play only by
the pricking of the Bafe $ (hall be able
to play the higher parts $ and what-
foever was writ for any other Mufick,
which ever conforms it felf to this its
conftant foundation.
An Vniverfil Tuning propofed for the
Viol, f Page 51.) whereby it is made ca*
fable, at once to exprefs the melody of
a Lyra tuning, and the intelligence of
Notes.
III. to the Organ, Harpfechord, or
Virginals 5 in which all things are car-
ried by the exaU refemblance cfO&aves 9
as the eye may moft readily apprehend
them, both upon the Bool^ and Inflru*
went, (Page 57.) whereby we avoid ,
1. The perplexed care of different
Cliffs for each hand at the fame time.
2. The invincible difficulties of their
arbitrary transposition. 3. That di-
ffracting multiplicity of fix or more
lines, which are here reduced to five.
IV. To
IF. To the Viol, where the different
Cliffs being laid ajide, and the Notes
rightfully inheriting the places of their
oltaves. ( Page 46.) There is not half
the time and pains required to be per-
fect in the book as formerly 3 and he
that (hall, or can already play only by
the pricking of the Bafe $ (hall be able
to play the higher parts $ and what-
foever was writ for any other Mufick,
which ever conforms it felf to this its
conftant foundation.
An Vniverfil Tuning propofed for the
Viol, f Page 51.) whereby it is made ca*
fable, at once to exprefs the melody of
a Lyra tuning, and the intelligence of
Notes.
III. to the Organ, Harpfechord, or
Virginals 5 in which all things are car-
ried by the exaU refemblance cfO&aves 9
as the eye may moft readily apprehend
them, both upon the Bool^ and Inflru*
went, (Page 57.) whereby we avoid ,
1. The perplexed care of different
Cliffs for each hand at the fame time.
2. The invincible difficulties of their
arbitrary transposition. 3. That di-
ffracting multiplicity of fix or more
lines, which are here reduced to five.
IV. To
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Special collections of printed music > Inglis Collection of printed music > Printed text > Essay to the advancement of musick > (23) [Page ix] |
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Permanent URL | https://digital.nls.uk/94569632 |
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Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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