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The Contents.
neceffary 3 and the perplexed compu-
ting of Confonant Notes are brought
to one plain account.
CHAP. III.
The fame feven Notes and their 0~
Baves are ever (ituated upon the feme
lines and /paces. (Page 25LS So that
we have no troublefcme variety of
figned keys., none of their perplexed
Tranfpofitions -, but a 'conftant and
Univerfal Character, the fame in all
parts of Mufick upon all fnftruments.
Hence alfo it follows, he that knows
his Notes in one part, knows them in
all parts.
CHAP. IV.
■
.
The De/ign Apply ed.
I. To Composition j that the confonant
and dijfonant intervals 3 being ever ftu-
ated upon the fame places in all the fe-
deral Farts. (Page 32.) You may-
more clearly perceive which they be,
and where they are to bewrittea
down.

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Special collections of printed music > Inglis Collection of printed music > Printed text > Essay to the advancement of musick > (21) [Page vii]
(21) [Page vii]
Permanent URLhttps://digital.nls.uk/94569608
Essay to the advancement of musick
DescriptionBy casting away the perplexity of different cliffs. And uniting all sorts of musick lute, viol, violin, organ, harpsechord, voice, &c. in one universal character. By Thomas Salmon, Master of Arts of Trinity College in Oxford..
ShelfmarkIng.8
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Printed text
Inglis Collection of printed music
DescriptionScottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject.
Special collections of printed music
DescriptionThe Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi.