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NOTES 67
Lá dá raibh ar siobhal,
is é 'na aonar bréagach,
an tánaiste nach tromdha
tarla an domblas 'na éadan.
Méar beag eile dá mhéaraibh,
é le n-a f héachain is anbhann ;
ca fios nach maith an cttngnanih ?
ughdar gach neach go labhrann.
Na cúig méir sin is seirbhe ná an gafann
ar n-a bhfabhairt san domlas ae,
sul do chuala mé a ngrafainn
truagh nach bodhar do bhí mé !
Compare also the following quatrain from 23 A 45, p. 9, and F.
p. 188 :—
Aithne dhamh geinealach Ghafainn
le siimtear gach seanghrafaiim, —
mic Caorthainn, mic Gotha Ghairbh,
mic Mormónta, mic Mustaird !
An argument between Donnchadh Mac Labhra and Giollamhuire
Caoch Mac Cartáin as to the merits of music in general and in particular
the music of the harp. Giollamhuire is a harper who has fallen on
evil days ; his patrons are no more, and his defence of his profession is
tinged with a note of despair. Donnchadh's argument is the " bread
and butter " one, which he urges ruthlessly ; music will not fill an empty
stomach, and crops and cattle are the only things that matter.
Sources. Mainly from 23 A 45, p. 16. Also H. 6. 11, p. 146;
F. V. 3, p. 50 ; 23 D 25, p. 9 ; 3 B 9, p. 303. The poem is an Ulster one,
as the names of the disputants suggest ; and A (dated 1745), H, and F
are Northern MSS., all three giving a nearly identical text. Of these
A and F have each 50^ qq. ; H, 48. An imperfect version
of the poem reached Munster some time in the eighteenth century ;

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