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0\ THE POEMS OF OSSIAN. IxXXl
the p'j-f^v dyySjo; Ahvs/.ao; of Iloincr. Of mili-
tary discipline or skill, they appear to have been
entirely destitute. Their nrmies seem not to have
been numerous ; their bartles were disorderly ; and
terminated, for tiie most part, by a personal com-,
bat, or wrestling of the two chiefs ; after which,
'' the bard sung the song of peace, and the battle
" ceased along the field."
The manner of composition bears all the marks
of the greatest antiquity. No artful transitions ;
nor full and extended connection of parts; such
as we find among the poets of later times, when
order and regularity of composition v,ere more
studied and known ; but a style always rapid and
Tehemcnt; in narration concise, even to abrupt-
ness, and leaving several circumstances to be sup-
plied by the readers imagination. The language
has all that figurative cast, vrhich, as I before
shewed, partly a glowing and undisciplined ima-
gination, partly the sterility of language and the
want of proper tenrs, have always introduced
into the eaily speech of nations; and, in g-iveral
respects, it carries a remarkable resemblance to
the style of the Old Testament, It deserves par-
ticular notice, as one of the most genuine and de.
cisive cha,racters of antiquity, that very few gene^
ral terms, or abstract ideas, are to be met with
in the whole colkctiQn of Ossian's works. The
ideas of men, at {ii;st, were all particular. They
had not words to express general conceptions.
These were the consequence of more profound re-
flection, and longer acquaintance v» ith the arts of
thought and of speech. Ossian, accordingly,
almost never expresses himself in the abstract.
■ His ideas extended little farther than to the objects

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