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1 63 A CRITICAL DrSSERTATION
him any idea of his work, is the a£lion or
fuhjecl he is to celebrate. Hardly is there
any tale, any fubjedl: a poet can choofe for
luch a work, but will aitord fome general
moral indruclion. An epic poem is, by-
its n;!ture, one of the moft moral of all
poetical compoiitions : but its moral ten-
dency is by no means to be limited to fome
common-place maxim, which may be ga-
thered from the ftory. It arifes from the
admiration of heroic a6lions, which fuch a
compofition is peculiarly calculated to pro-
duce ; from the virtuous emotions which
the characters and incidents raife, whilfl we
lead it j from the happy impreflions which
all the parts fepaiately, as well as the whole
together, leave upon the mind. However,
if a general moial be Hill infilled on, Fin-
gal obvioufly furnilhes one, not inferior to
that of any other poet, viz. That Wifdom
and Bravery always triumph over brutal
force: or another, nobler iiill *, That the
moil complete victory over an enemy is ob-
tained by that moderation and generofity
which convert him into a friend.
The unity of the £pic adion, which, of
all Ariftotle's rules, is the chief and moil;
material, is fo flridly preferved in Fingal,
that it muft be perceived by every reader.
It is a more complete unity than what arifes
from relating the adlions of one man, which
the Greek critic jufily cenfurcs as imper-

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