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In the Accompanying ROUGH SKETCHES our artist portrays the
AUTHORS OF THE "PUFFS."
=== — « S£$S>-
Mr ROBERT HILTON, Editor of the
"British Printer," London (the Art
Journal for British Printers), and the
conductor of the Printers' Interna-
tional Specimen Exchange, writes : —
"A constant succession of neat and
taking effects. The colour schemes are
correct, bright, and pleasing."
Mr M. P. M'COY, Founder and Editor
of the " Modern Printer," London
(the first Journal started in this
country on the modern lines), writes :
" We must compliment you on the
handsome pamphlet you sent us, which
reflects the highest credit on your taste
and skill."
oS
Mr P. S. M. MUNRO, Editor of the " American Art
Printer " (New York), known for his skilful designs
and practical typography as well as his able con-
duct of the " Art Printer," writes : —
" Extremely pretty in type display, and sottpj^'colou ! r.." ^ ^
Mr R. C. HARDING, Editor of " Typo," Napier, New
Zealand, describes a parcel of our Specimens as —
" Really artistic job work."
Mr J. F. EARHART, Editor of the "Superior Printer"
(Cincinnati), author of "The Color Printer," done in 250
different colours, and one of the first printers of the day,
â– writes : —
" As handsome a collection of specimens as we have received
for many days."
Mr A. C. CAMERON, Editor of the "Inland Printer"
(Chicago*, the Largest Printing Journal in the World,
writes : —
" We are within the bounds of moderation when we state that
every sample before us is a gem of the first water."

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