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lx.
Introduction
(73) P. 213: An cuala sibhse an tionndadh duineil.
Amhran, with three stresses in each line. The first
stressed vowel is indefinite ; the second was meant to
rhyme in the four lines of each rann, but the purpose is
very incompletely fulfilled; the third rhymes throughout
each rcmn. Scheme of first rann\ —
a a — — i —
u — a — i "fc—
The lest quatrains are Nos. 2, 3, 4, 8; the most im¬
perfect are Nos. 7, 10, 12, 15, 16, 19, 20, 21.
(74) P. 220:
Dtomhain bhur dluth chiabh air tmteam chon lair.
Amhran, with four stresses in each line. The second
and third stressed vowels rhyme in three lines, except in
1. 5866; but in fourth line, aon ni (? ein-nt) does not
rhyme with thigeas.
(75) P. 246: Ndile bho hi... ndile bho h-drd.
This poem, says Miss Frances Tolmie, was originally an
iorram, but became eventually a waulking song. The
lines have each four stresses, and each of the various
sections, apart from the openings, has end-rhyme, the
same throughout the section.
(76) -*/. 139: Sud an t-slainte churamach.
Three lines each with two stresses and similar ante¬
penultimate end-rhyme, followed by a fourth line of two
stresses with final stress penultimate on e repeated
throughout the poem. The first stressed syllable of the
fourth line rhymes with the last stressed syllable of the
previous line. The arrangement closely resembles the
strophic metres.
Introduction
(73) P. 213: An cuala sibhse an tionndadh duineil.
Amhran, with three stresses in each line. The first
stressed vowel is indefinite ; the second was meant to
rhyme in the four lines of each rann, but the purpose is
very incompletely fulfilled; the third rhymes throughout
each rcmn. Scheme of first rann\ —
a a — — i —
u — a — i "fc—
The lest quatrains are Nos. 2, 3, 4, 8; the most im¬
perfect are Nos. 7, 10, 12, 15, 16, 19, 20, 21.
(74) P. 220:
Dtomhain bhur dluth chiabh air tmteam chon lair.
Amhran, with four stresses in each line. The second
and third stressed vowels rhyme in three lines, except in
1. 5866; but in fourth line, aon ni (? ein-nt) does not
rhyme with thigeas.
(75) P. 246: Ndile bho hi... ndile bho h-drd.
This poem, says Miss Frances Tolmie, was originally an
iorram, but became eventually a waulking song. The
lines have each four stresses, and each of the various
sections, apart from the openings, has end-rhyme, the
same throughout the section.
(76) -*/. 139: Sud an t-slainte churamach.
Three lines each with two stresses and similar ante¬
penultimate end-rhyme, followed by a fourth line of two
stresses with final stress penultimate on e repeated
throughout the poem. The first stressed syllable of the
fourth line rhymes with the last stressed syllable of the
previous line. The arrangement closely resembles the
strophic metres.
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An Comunn Gàidhealach > An Comunn Gàidhealach Publications > Bàrdachd Ghàidhlig > (64) |
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Permanent URL | https://digital.nls.uk/126455786 |
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Description | This contains items published by An Comunn, which are not specifically Mòd-related. It includes journals, annual reports and corporate documents, policy statements, educational resources and published plays and literature. It is arranged alphabetically by title. |
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Description | A collection of over 400 items published by An Comunn Gàidhealach, the organisation which promotes Gaelic language and culture and organises the Royal National Mòd. Dating from 1891 up to the present day, the collection includes journals and newspapers, annual reports, educational materials, national Mòd programmes, published Mòd literature and music. |
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