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Introduction
Ivii.
AMHRAK OR ORAN.
(64) P. 45:
0 mosglamaid gu suilbhir snt le sunndachd ghk&da
is eireamaid.
There are six stresses in each long line, and the final
stress is ante-penu1 timate. The third and fifth stressed
vowels rhyme in each line; the final stressed vowels
rhyme throughout the stanza. In 1213, 1214 the rhyme
is suthain: bhruthainn; there is no proper rhyme in
1215, 1216, where neimh •. fial should rhyme.
(65) P. 50:
Cha dirich mi bruthach’s cha siubhail mi mointeach.
Each long line has four stresses. The second and third
stressed vowels rhyme in each line, except 1391-2, aigne .
furtaich) 1407-8 cuideachd: thaghainn-, the first three
lines have the same end-rhyme, but the last line is inde¬
pendent, and has its final stress ultimate, while the other
lines have final stress penultimate. Scheme of first
(66) P. 54:
'8 a’ chdor a fhuair mi o Shiusaidh gun cm cuiren a
dhol g’a chednnach.
Each long line has four stresses. The second and third
stressed syllables rhyme, and the poem has a-end-rhyme
throughout, being therefore an a-poem. Being an bran-
luathaidh, it is not in quatrains.
(67) P. 68:
Tha mi crditeach txnn ’s tha mi sgith lan dochair.
An intricate metre. Each line has four stresses, two of
which assonate. In the third and fifth lines, the asson-
Ivii.
AMHRAK OR ORAN.
(64) P. 45:
0 mosglamaid gu suilbhir snt le sunndachd ghk&da
is eireamaid.
There are six stresses in each long line, and the final
stress is ante-penu1 timate. The third and fifth stressed
vowels rhyme in each line; the final stressed vowels
rhyme throughout the stanza. In 1213, 1214 the rhyme
is suthain: bhruthainn; there is no proper rhyme in
1215, 1216, where neimh •. fial should rhyme.
(65) P. 50:
Cha dirich mi bruthach’s cha siubhail mi mointeach.
Each long line has four stresses. The second and third
stressed vowels rhyme in each line, except 1391-2, aigne .
furtaich) 1407-8 cuideachd: thaghainn-, the first three
lines have the same end-rhyme, but the last line is inde¬
pendent, and has its final stress ultimate, while the other
lines have final stress penultimate. Scheme of first
(66) P. 54:
'8 a’ chdor a fhuair mi o Shiusaidh gun cm cuiren a
dhol g’a chednnach.
Each long line has four stresses. The second and third
stressed syllables rhyme, and the poem has a-end-rhyme
throughout, being therefore an a-poem. Being an bran-
luathaidh, it is not in quatrains.
(67) P. 68:
Tha mi crditeach txnn ’s tha mi sgith lan dochair.
An intricate metre. Each line has four stresses, two of
which assonate. In the third and fifth lines, the asson-
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An Comunn Gàidhealach > An Comunn Gàidhealach Publications > Bàrdachd Ghàidhlig > (61) |
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Permanent URL | https://digital.nls.uk/126455750 |
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Description | This contains items published by An Comunn, which are not specifically Mòd-related. It includes journals, annual reports and corporate documents, policy statements, educational resources and published plays and literature. It is arranged alphabetically by title. |
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Description | A collection of over 400 items published by An Comunn Gàidhealach, the organisation which promotes Gaelic language and culture and organises the Royal National Mòd. Dating from 1891 up to the present day, the collection includes journals and newspapers, annual reports, educational materials, national Mòd programmes, published Mòd literature and music. |
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