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Ixii.
Introduction.
between the second and fourth stressed syllables, the
final stress being penultimate, and the final stressed
syllable rhyming with the second stressed syllabi© of
the last line. Cf. the third line of John MacCodrum’s
poem, p. 68.
(71) P. 149:
’8 i so ’n aimsir a dhearbhar an tkirgneachd dhxiinn.
Each long line has four stresses. The second and third
stressed syllables assonate; in the last line always, and
in the other lines often, the first, second, and third
stressed syllables assonate. The final stressed syllables
rhyme throughout the stanza. Scheme of first rann : —
— a a a u
— e 4 & u
-— — eirg airg eirbh u
(72) P. 155:
Air teachd o’n Spain do shllochd an Ghdoidhil
ghlais.
The heroic rhymed couplet of Pope and Dryden.
(73) P. 213: An cuala sibhse an ttonndadh duineil.
Amhran, with three stresses in each line. The first
stressed vowel is indefinite; the second was meant to
rhyme in the four lines of each rann, but the purpose is
very incompletely fulfilled; the third rhymes through¬
out each rann. Scheme of the first rann: —
(—) i — a — i —
u — a i —
a a i —
u — a — i —
The best quatrains are Nos. 2, 3, 4, 8; the most
imperfect are Nos. 7, 10, 12, 15, 16, 19, 20, 21.
Introduction.
between the second and fourth stressed syllables, the
final stress being penultimate, and the final stressed
syllable rhyming with the second stressed syllabi© of
the last line. Cf. the third line of John MacCodrum’s
poem, p. 68.
(71) P. 149:
’8 i so ’n aimsir a dhearbhar an tkirgneachd dhxiinn.
Each long line has four stresses. The second and third
stressed syllables assonate; in the last line always, and
in the other lines often, the first, second, and third
stressed syllables assonate. The final stressed syllables
rhyme throughout the stanza. Scheme of first rann : —
— a a a u
— e 4 & u
-— — eirg airg eirbh u
(72) P. 155:
Air teachd o’n Spain do shllochd an Ghdoidhil
ghlais.
The heroic rhymed couplet of Pope and Dryden.
(73) P. 213: An cuala sibhse an ttonndadh duineil.
Amhran, with three stresses in each line. The first
stressed vowel is indefinite; the second was meant to
rhyme in the four lines of each rann, but the purpose is
very incompletely fulfilled; the third rhymes through¬
out each rann. Scheme of the first rann: —
(—) i — a — i —
u — a i —
a a i —
u — a — i —
The best quatrains are Nos. 2, 3, 4, 8; the most
imperfect are Nos. 7, 10, 12, 15, 16, 19, 20, 21.
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An Comunn Gàidhealach > An Comunn Gàidhealach Publications > Bardachd Ghaidhlig > (66) |
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Permanent URL | https://digital.nls.uk/126281924 |
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Description | This contains items published by An Comunn, which are not specifically Mòd-related. It includes journals, annual reports and corporate documents, policy statements, educational resources and published plays and literature. It is arranged alphabetically by title. |
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Description | A collection of over 400 items published by An Comunn Gàidhealach, the organisation which promotes Gaelic language and culture and organises the Royal National Mòd. Dating from 1891 up to the present day, the collection includes journals and newspapers, annual reports, educational materials, national Mòd programmes, published Mòd literature and music. |
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