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Introduction.
xlix.
four strophes, each the equivalent of a line, the final
words of the strophes rhyming in each rann.
Another corranach measure is
(37) P. 1:
Is fhada o thwgadh dhutsa an wrram
aig a’ Phrionnsa Tearlach,
a double-stressed w-phrase thrice repeated, with its
final stress penultimate, followed by a single-stressed
o-phrase with penultimate stress, the whole repeated
four times to form a rann. Or,
4 [3 (Is fhada o thugadh) Tedrlach].
The famous cumha beginning A chuachag nan craobhr
wrongly ascribed to William Boss, is of similar
structure, but in it each of the longer lines has its
final stress ultimate.
(38) P. 53:
Is m6r mo mhulad ’s cha lugha m’ eislean
ge b’e dh’ eisdeadh rium.
Scheme: 3 (’S mor mo mhulad) rium.
It resembles Caismeachd Ailean nan Sop, but there
each strophe ends on a phrase of three syllables with
ante-penultimate stress.
The following (39-49) are examples of iorram , some
of them being also cumha. All but the last belong to
the seventeenth century. This metre was a special
favourite with Iain Lom : —
(39) P. 223:
A Dhomhnuill an Diiin mhic Ghille-easbuig
nan twr
chaidh t’ eineach ’s do chlm thar chach.
This may be described as a strophe consisting of a
double-stressed w-phrase thrice repeated, with final
xlix.
four strophes, each the equivalent of a line, the final
words of the strophes rhyming in each rann.
Another corranach measure is
(37) P. 1:
Is fhada o thwgadh dhutsa an wrram
aig a’ Phrionnsa Tearlach,
a double-stressed w-phrase thrice repeated, with its
final stress penultimate, followed by a single-stressed
o-phrase with penultimate stress, the whole repeated
four times to form a rann. Or,
4 [3 (Is fhada o thugadh) Tedrlach].
The famous cumha beginning A chuachag nan craobhr
wrongly ascribed to William Boss, is of similar
structure, but in it each of the longer lines has its
final stress ultimate.
(38) P. 53:
Is m6r mo mhulad ’s cha lugha m’ eislean
ge b’e dh’ eisdeadh rium.
Scheme: 3 (’S mor mo mhulad) rium.
It resembles Caismeachd Ailean nan Sop, but there
each strophe ends on a phrase of three syllables with
ante-penultimate stress.
The following (39-49) are examples of iorram , some
of them being also cumha. All but the last belong to
the seventeenth century. This metre was a special
favourite with Iain Lom : —
(39) P. 223:
A Dhomhnuill an Diiin mhic Ghille-easbuig
nan twr
chaidh t’ eineach ’s do chlm thar chach.
This may be described as a strophe consisting of a
double-stressed w-phrase thrice repeated, with final
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An Comunn Gàidhealach > An Comunn Gàidhealach Publications > Bardachd Ghaidhlig > (53) |
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Permanent URL | https://digital.nls.uk/126281768 |
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Description | This contains items published by An Comunn, which are not specifically Mòd-related. It includes journals, annual reports and corporate documents, policy statements, educational resources and published plays and literature. It is arranged alphabetically by title. |
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Description | A collection of over 400 items published by An Comunn Gàidhealach, the organisation which promotes Gaelic language and culture and organises the Royal National Mòd. Dating from 1891 up to the present day, the collection includes journals and newspapers, annual reports, educational materials, national Mòd programmes, published Mòd literature and music. |
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Additional NLS resources: |
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