Inglis Collection of printed music > Printed text > Introduction to the skill of musick

the Art of DefcanU 7
RV L£ II.
A JDifcord is bound three feveral ways \ fifil, be-
veen the Third, and fome other Concord : As 7
— 1 1 —h -i.- 4 -,+-+- -t^t-r^n-"^
^^e-f £r t>*±:r-T- ^^f— -
=Hr 337^ T2S *<> -S-^JTOl ~-ȣf-~
The firft Note of the upper Parts may be any
'ord to the Bafs , the fecond Note of the upper Part
uift be a third tolhe Bafs, the third Note mull be a
*cond to the Bafs, the laft part of a third Note muft:
e a third to th« Bafs, and the doling or fourth Note
mft be a third or eighth to theik*/},as in the Examp.
The firft Note of the Bafs muft be any Concord
3 the upper Part , the firft part of the fecond
Jote of the Bafs muft be a Third to the fecond
Jote of the Treble or upper Part.
The laft part of the fecond Note of the Bafs muft
e a Second to the upper Part , the Third Note of
' e Bafs muft be a Third to the fecond Part of the
ird Note of the Treble , and Clofe as in the afore-
aid Example.
This Binding is feldom taken in a Clofe in more
arts than Two \ but in the middle of a Leflbn
: : is to be taken as often as you fhali fee occafion.
I phis Binding is feldom or never taken in other
Uotes than in this Example.
RVL6 III.
\ The third way-of taking a Difcord by way of
linding is when the Fourth is taken between
Thirds ; As in the following Example,