Inglis Collection of printed music > Printed text > Introduction to the skill of musick
(117) Page 97
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tfo Skill tf Mufuk. 07
6. In holding of your Bow, obferve this Rule :
Jold the Bow betwixt the ends of your Thumb and
"orefinger , an Inch below the Nut , the Thumb,
fid fore Finger retting on the Wood, the ends of
■our fecond and third Fingers (laid upon the Hair,
y which you may poife and, keep up your Bow.
'our Bow being thus fix'd , you rnuft draw it over
ne firing, and then an6ther, in a Rightangle,
bout two or three Inches above the Bridge, making
ach feveral firing yield a clear found without,
torching the other.
7. In the poilure of your left hand obferve this"
:ule, place your Thumb on the back of the Keck *
nd oppofite to your Forefinger, fo that when your
^inge^s are to reft on the feveral Hops or Frets f
our hand may have liberty to move up and down,
. > occalion fhall require ; and in the ftopping ob-
1 srve that when you fet any Finger down, let it
Dt be juft upon the Fret y but clofe t6 it , bearirg*
31 hard down to the end of your Finger 1 and lee
reft there, untill occalion require the moving it y
b id be fure not to lift your Fingers too high , but
[] ^ep them in an even diilance to the Frets , that
> they may pafs more readily from Fret to Fret.
! l 8. In the Rule of true Fingering, where you skip
Fret , there leave a Finger , and when you havs
^ fry Notes which are high Notes, that go lower
ian the Frets, there thofe highell Notes are always
2 opt either with the third or fourth Finger ( by
f! ifting the Fingers lower) if with the third, then
: . le firft and fecond Fingers are ready to flop the
'■to next Notes either afcending or defcending
om it : But if the higheft Note be ftopt with
H -the-"
6. In holding of your Bow, obferve this Rule :
Jold the Bow betwixt the ends of your Thumb and
"orefinger , an Inch below the Nut , the Thumb,
fid fore Finger retting on the Wood, the ends of
■our fecond and third Fingers (laid upon the Hair,
y which you may poife and, keep up your Bow.
'our Bow being thus fix'd , you rnuft draw it over
ne firing, and then an6ther, in a Rightangle,
bout two or three Inches above the Bridge, making
ach feveral firing yield a clear found without,
torching the other.
7. In the poilure of your left hand obferve this"
:ule, place your Thumb on the back of the Keck *
nd oppofite to your Forefinger, fo that when your
^inge^s are to reft on the feveral Hops or Frets f
our hand may have liberty to move up and down,
. > occalion fhall require ; and in the ftopping ob-
1 srve that when you fet any Finger down, let it
Dt be juft upon the Fret y but clofe t6 it , bearirg*
31 hard down to the end of your Finger 1 and lee
reft there, untill occalion require the moving it y
b id be fure not to lift your Fingers too high , but
[] ^ep them in an even diilance to the Frets , that
> they may pafs more readily from Fret to Fret.
! l 8. In the Rule of true Fingering, where you skip
Fret , there leave a Finger , and when you havs
^ fry Notes which are high Notes, that go lower
ian the Frets, there thofe highell Notes are always
2 opt either with the third or fourth Finger ( by
f! ifting the Fingers lower) if with the third, then
: . le firft and fecond Fingers are ready to flop the
'■to next Notes either afcending or defcending
om it : But if the higheft Note be ftopt with
H -the-"
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Special collections of printed music > Inglis Collection of printed music > Printed text > Introduction to the skill of musick > (117) Page 97 |
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Permanent URL | https://digital.nls.uk/94576748 |
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Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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