Inglis Collection of printed music > Printed text > Introduction to the skill of musick
(40) Page 20
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so Jn Introduction to
Semitone or half a Note lower j and the 3jharf\
raifeth the Note before which it is fet a Semitone of i
half a fomd higher , but alters not its Name j fo
that from ^ to F<t, and like wife from La to F*,
is but a Semitone or a half Note , between any two
other Notes it is a perfect Tone , or found , as from
Fa to Sol, from 5o/ to La, from I/** to ./%', are;
whole Tones , which is a perfect /o*W. And this
may be eafily diftinguifhed , if you try it on the
Frets of a Viol or Lnte, you fhall perceive plainly
that there goes two Frets to the flopping of a whole j
Note , and but one Fret to a half Note -, fo that it:
is oblerved , that Mi and Fa ferve only for the
flatting or Jlmrping all AW-finthe Scale, and they
being rightly underflood, the other Notes are eafily
apply ed to them \ for if <jfol re m have a iharp fet.
before it, it's the fame in found with tAla mire
flat; and Bfa B mi flat , is the fame with Ala mire
fharp \ and Cfa ut fharp is Dfol re flat , &c. a£
being of one and the fame found , or flopped upon
one and the fame Fret of the Viol or Violin.
Vnifons. For Example, otlaves.
Si'rixijriEllxiE E*$z^Ei :™™EJE~E::E1:
fw Difcourfe of the Cords *«<{ Difcords, /I
yW/ only name them in this Part of my Book. ,
PErfect Cords are thefe, a H$# 5 an Eighth, with
their Compounds or Ottaies.
Imperfect CW.r are thefe, a TTwt/, a 5**rJ?, with i
their Compounds ; all other difhnces reckoned from
theifo/rare difcords. A
Semitone or half a Note lower j and the 3jharf\
raifeth the Note before which it is fet a Semitone of i
half a fomd higher , but alters not its Name j fo
that from ^ to F<t, and like wife from La to F*,
is but a Semitone or a half Note , between any two
other Notes it is a perfect Tone , or found , as from
Fa to Sol, from 5o/ to La, from I/** to ./%', are;
whole Tones , which is a perfect /o*W. And this
may be eafily diftinguifhed , if you try it on the
Frets of a Viol or Lnte, you fhall perceive plainly
that there goes two Frets to the flopping of a whole j
Note , and but one Fret to a half Note -, fo that it:
is oblerved , that Mi and Fa ferve only for the
flatting or Jlmrping all AW-finthe Scale, and they
being rightly underflood, the other Notes are eafily
apply ed to them \ for if <jfol re m have a iharp fet.
before it, it's the fame in found with tAla mire
flat; and Bfa B mi flat , is the fame with Ala mire
fharp \ and Cfa ut fharp is Dfol re flat , &c. a£
being of one and the fame found , or flopped upon
one and the fame Fret of the Viol or Violin.
Vnifons. For Example, otlaves.
Si'rixijriEllxiE E*$z^Ei :™™EJE~E::E1:
fw Difcourfe of the Cords *«<{ Difcords, /I
yW/ only name them in this Part of my Book. ,
PErfect Cords are thefe, a H$# 5 an Eighth, with
their Compounds or Ottaies.
Imperfect CW.r are thefe, a TTwt/, a 5**rJ?, with i
their Compounds ; all other difhnces reckoned from
theifo/rare difcords. A
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Special collections of printed music > Inglis Collection of printed music > Printed text > Introduction to the skill of musick > (40) Page 20 |
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Permanent URL | https://digital.nls.uk/94575824 |
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Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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