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the Skill of Mufick. 9
you would know , you muft begin at yonr Cliff, and
affign to every Rule and Space a Note , according
to the Rule of your Cjam-Ht , attending 'till you
come to that Rule or Space wherein*the feme Note
is fet : But if the Note be below your Cliff, then
you muft prove downwards to it , faymg your
(jam-ut backwards, afligning to each Rule and Space
Note, 'till you come to its place. So that by
..flowing in what place of your (jam-ut the Note
is fet, you will eafily know its name, the next
Chapter directing you an infallible Rule for it ,
and that by an eafie and familiar Example.
CHAP. IV.
Containing a plain and eafii Rule for the
Naming yonr Notes in any Cliff',
HAving obferved the foregoing Direction of
proving your Notes to know their Places ,
ycu may ealily know their Names alfo , if you will
follow this Rule : Firft > obferve that Mi is the
'principal or Mafter-Note, which leads you to know
all tjie reft , for having found out that , the other
follow uponcourfe: And this Mi hath its beings in
four feveral places , but it is but in one of them ajt
a time \ its proper place is in 2? m 9 bitif-a 2?/i,
which is a Hfiat (as is mentioned \JpChaf. 2 .) be put
|in that place, then it is removed into E U mi y which
is its fecond place} but if a "B fiat be placed there
1 (alfo, then it is in its third place, which is A la mi re \
if a *? fiat come there alfo , then it is removed into
its
you would know , you muft begin at yonr Cliff, and
affign to every Rule and Space a Note , according
to the Rule of your Cjam-Ht , attending 'till you
come to that Rule or Space wherein*the feme Note
is fet : But if the Note be below your Cliff, then
you muft prove downwards to it , faymg your
(jam-ut backwards, afligning to each Rule and Space
Note, 'till you come to its place. So that by
..flowing in what place of your (jam-ut the Note
is fet, you will eafily know its name, the next
Chapter directing you an infallible Rule for it ,
and that by an eafie and familiar Example.
CHAP. IV.
Containing a plain and eafii Rule for the
Naming yonr Notes in any Cliff',
HAving obferved the foregoing Direction of
proving your Notes to know their Places ,
ycu may ealily know their Names alfo , if you will
follow this Rule : Firft > obferve that Mi is the
'principal or Mafter-Note, which leads you to know
all tjie reft , for having found out that , the other
follow uponcourfe: And this Mi hath its beings in
four feveral places , but it is but in one of them ajt
a time \ its proper place is in 2? m 9 bitif-a 2?/i,
which is a Hfiat (as is mentioned \JpChaf. 2 .) be put
|in that place, then it is removed into E U mi y which
is its fecond place} but if a "B fiat be placed there
1 (alfo, then it is in its third place, which is A la mi re \
if a *? fiat come there alfo , then it is removed into
its
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| Special collections of printed music > Inglis Collection of printed music > Printed text > Introduction to the skill of musick > (29) Page 9 |
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| Permanent URL | https://digital.nls.uk/94575692 |
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| Description | Chapter IV: Containing a plain and easi rule for the naming your notes in any cliff. |
| Description | In three books the first contains the grounds and rules of musick, acording to the gam-ut, and other principles thereof, the second, instructions and lessons both for the bass-viol and treble-violin, the third, The art of descant, or, Composing of musick in parts, in a more plain and easie method than any heretofore published By John Playford. |
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| Shelfmark | Ing.5 |
| Additional NLS resources: | |
| Attribution and copyright: |
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More information
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| Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
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| Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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