Inglis Collection of printed music > Printed text > Introduction to the skill of musick, in three books
(46) Page 22
Download files
Complete book:
Individual page:
Thumbnail gallery: Grid view | List view
1% An IntroduBion U
GHAP. VIII.
Of the Refts or Paufes, of Pricks er Points
of Addition, and tfotes of Syncopation.
PAujes or Rsfts are fllent Characters, or an arti-
ficial omiffion of the Voice or Sound, propor-
tion'd to the Meafure of other Notes according to
their feveral Diftin&ions; which that the Per-j
former may not Reft or Paufe too long or fliort]
before he Plays or Siogs again, there is a Reftj
affigned to every Note : As the Semibreve Reft^
wliich is expreifed by a btroak drawn down-*
Wards from any one of the Five Lines halfj
through the Space between Line and Line J thj
Minim Reft is aicending upward from the Line jj
the Crotchet Reft is turned off like a Tenter-hooH;
\o the right hand, and the Quaver Reft to the left })
the Semiquaver Reft with a double Stroak to tlik
left ; and the Demifemitjuaver Reft with flf triple
Stroak to the left. Now whenever you come tcj
any of rhefe Refts^ you muft ceafe Playing ofl
Singing till you have counted them filendy ac4
fcording to their value in Tim before you plajfl
again $ as when you meet with zSttfiibreveReJtl
Vou mutt be as long filcnt as you would be perj
forming the Semibreve, before you Sing or Platj
^gain; fo of a Crotchet , a Quaver, or the UkeL
II the Stroak fc>e drawn from one Line to ano^
ther> then 'tis two Semibreves ,• if from one Linii
to a third* then 'tis foot Sqtfbtyts : As in drf
Mhmn'" Example. _ ' J
" • bSenm
GHAP. VIII.
Of the Refts or Paufes, of Pricks er Points
of Addition, and tfotes of Syncopation.
PAujes or Rsfts are fllent Characters, or an arti-
ficial omiffion of the Voice or Sound, propor-
tion'd to the Meafure of other Notes according to
their feveral Diftin&ions; which that the Per-j
former may not Reft or Paufe too long or fliort]
before he Plays or Siogs again, there is a Reftj
affigned to every Note : As the Semibreve Reft^
wliich is expreifed by a btroak drawn down-*
Wards from any one of the Five Lines halfj
through the Space between Line and Line J thj
Minim Reft is aicending upward from the Line jj
the Crotchet Reft is turned off like a Tenter-hooH;
\o the right hand, and the Quaver Reft to the left })
the Semiquaver Reft with a double Stroak to tlik
left ; and the Demifemitjuaver Reft with flf triple
Stroak to the left. Now whenever you come tcj
any of rhefe Refts^ you muft ceafe Playing ofl
Singing till you have counted them filendy ac4
fcording to their value in Tim before you plajfl
again $ as when you meet with zSttfiibreveReJtl
Vou mutt be as long filcnt as you would be perj
forming the Semibreve, before you Sing or Platj
^gain; fo of a Crotchet , a Quaver, or the UkeL
II the Stroak fc>e drawn from one Line to ano^
ther> then 'tis two Semibreves ,• if from one Linii
to a third* then 'tis foot Sqtfbtyts : As in drf
Mhmn'" Example. _ ' J
" • bSenm
Set display mode to: Large image | Transcription
Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated.
Special collections of printed music > Inglis Collection of printed music > Printed text > Introduction to the skill of musick, in three books > (46) Page 22 |
---|
Permanent URL | https://digital.nls.uk/94573804 |
---|
Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
---|
Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
---|