Inglis Collection of printed music > Printed text > Piobaireachd [Tus is Alt a'Chiuil-Mhoir]
(109) [Page 103]
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Chapter VII
RUDIMENTS OF MUSIC SO FAR AS APPLICABLE
TO THE HIGHLAND BAGPIPE
FIRST of all let us begin at the foundation, and define roughly what music itself
is. Bagpipe music being instrumental, is produced by the vibrations of
the column of air passing from the mouth into the bag and thence to the
reeds in the drones and chanter. Music may still further be described as a series
of sounds, not only pleasing to the ear, but the most powerful means of moving the
heart and exciting the feelings.
In writing musical sounds three things are essential, and made use of, viz. :
i. Signs. — To represent notes.
2. Notes. — To express duration.
3. The staff, or stave and clef. — To express pitch.
The signs which make the relative duration of musical sounds clear to the eye
are called notes, varying in shape as follows : —
1. o Semibreve, or whole note.*
2. P Minim, or half note.
3. I* Crotchet, or quarter note.
4. • Quaver, or eighth note.
5. 6 Semiquaver, or sixteenth note.
6. fe Demisemiquaver, or thirty-second note.
7. £ Semidemisemiquaver, or sixty-fourth note.
Each of the above notes in their order, is half the value or duration of the.
preceding note.
* A note double the value of the Semibreve is really first of the sequence. It is called a Breve, but as
it is only used r.ow in music of the nature of organ music and plain song, it is of no interest to the student
of Bagpipe music.
RUDIMENTS OF MUSIC SO FAR AS APPLICABLE
TO THE HIGHLAND BAGPIPE
FIRST of all let us begin at the foundation, and define roughly what music itself
is. Bagpipe music being instrumental, is produced by the vibrations of
the column of air passing from the mouth into the bag and thence to the
reeds in the drones and chanter. Music may still further be described as a series
of sounds, not only pleasing to the ear, but the most powerful means of moving the
heart and exciting the feelings.
In writing musical sounds three things are essential, and made use of, viz. :
i. Signs. — To represent notes.
2. Notes. — To express duration.
3. The staff, or stave and clef. — To express pitch.
The signs which make the relative duration of musical sounds clear to the eye
are called notes, varying in shape as follows : —
1. o Semibreve, or whole note.*
2. P Minim, or half note.
3. I* Crotchet, or quarter note.
4. • Quaver, or eighth note.
5. 6 Semiquaver, or sixteenth note.
6. fe Demisemiquaver, or thirty-second note.
7. £ Semidemisemiquaver, or sixty-fourth note.
Each of the above notes in their order, is half the value or duration of the.
preceding note.
* A note double the value of the Semibreve is really first of the sequence. It is called a Breve, but as
it is only used r.ow in music of the nature of organ music and plain song, it is of no interest to the student
of Bagpipe music.
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Special collections of printed music > Inglis Collection of printed music > Printed text > Piobaireachd [Tus is Alt a'Chiuil-Mhoir] > (109) [Page 103] |
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Permanent URL | https://digital.nls.uk/94538816 |
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Description | Scottish and English songs, military music and keyboard music of the 18th and 19th centuries. These items are from the collection of Alexander Wood Inglis of Glencorse (1854 to 1929). Also includes a few manuscripts, some treatises and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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