Skip to main content

‹‹‹ prev (18) Page xiiPage xii

(20) next ››› Page xivPage xiv

(19) Page xiii -
Contents
CHAPTER XIII.
ENGLISH BAGPIPES UNDER THE STUARTS.
1'ACiE
Ben Jonson— King James's proclamation— Morris Dances—
Britannia's Pastorals- London minstrels— An English bag-
piper of 1637— The King's Band of Music— Howitt the
piper— Lancashire bagpipers— Yorkshire pipers— Playford*s
Dancing Master— The Restoration epoch— Butler's Hudibras
— Thomas Oynion — Northumberland pipers — The Royal
Voyage— Gxa.A\.\a\ disappearance of English pipers— Hogarth's
" Southwark Fair " 99
CHAPTER XIV.
INFLUENCE OF THE BAGPIPE ON SEVENTEENTH-
CENTURY MUSIC.
Drone bass— Pedal point— Faux Bourdon and Gymel— Progres-
sions of thirds and sixths— Irish influence in Northumbria—
Guido's Miao'.ogus — FitzwilHatn Virginal Book— Mr. Byrd's
Battle— Byrd's Galliard— "The Woods so Wild''— Lanca-
shire hornpipes— Handel's Pastoral Symphony— Irish Cronan
— "Ballinderry"— Bach's Loure— Spohr's " Piftero" - - 107
CHAPTER XV.
IRISH BAGPIPES IN THE SEVENTEENTH CENTURY.
State pardons— Ben Jonson's Irish Masque— War-pipes— The
Confederate period—" Lament for Owen Roe "— " Battle of
Knocknanoss"— "MacAIistrum's March "—Irish pipers in
the Barbadoes— Pipers of the King's Company— The wolf
and the piper— Siei^e of Derry— Persecution of pipers under
King William— Battle of Cremona 114
xiii

Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated. Creative Commons Attribution 4.0 International Licence