Glen Collection of printed music > Printed text > Composite volume > Mary, Queen of Scots, a tragedy
(359) Page 75
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EPILOGUE,
Written by the AUTHOR,
And fpoken by Mrs. S I D D O N S.
ERE you not told, before the play began.
Our Author ventur'd on a daring plan?
A tale of woe, a deep hifloric Play
Giv'n in an age fo debonnair and gay.
Was this a place to fet up a defence.
And talk of injur'd Mary's innocence ? —
Of late difcoveries, drawn from dates and words,
Old rotten parchments, mufty, dull records ?
No — all is now for tinfel, fliow ! — this age
Turns a deaf ear — but keenly views the Hage
The Tragic Mufe, nay, all the fillers nine,
Are now eclips'd — Aladin's lamp doth fhine !
Exulting o'er their tomb — now boxers fpar !
And beaux, in raptures, envy every fear !
Learning and wit were once eileem'd, and then
The ftage produced Ben Johnfon — mix.', Big Ben !
Shakefpeare make room for Humphries ! — that's the w^y*
To bring the men of failiion to the play !
But to our Bard — How fluall we judge his cafe?
Who fcorns the unities of time and place.
Critics, what fay ye? — Muft he fue for peace
To wits of modern France or ancient Greece ?
The great Voltaire has told us, that a play
Should be within one houfe, and in one day — '
But in one evening, how can it be right.
To reprefent the morning, noon, and night?
To hail Aurora, fwear the fun-beam glows.
While thefe vile lamps fllll flare beneath my nofe*
And
EPILOGUE,
Written by the AUTHOR,
And fpoken by Mrs. S I D D O N S.
ERE you not told, before the play began.
Our Author ventur'd on a daring plan?
A tale of woe, a deep hifloric Play
Giv'n in an age fo debonnair and gay.
Was this a place to fet up a defence.
And talk of injur'd Mary's innocence ? —
Of late difcoveries, drawn from dates and words,
Old rotten parchments, mufty, dull records ?
No — all is now for tinfel, fliow ! — this age
Turns a deaf ear — but keenly views the Hage
The Tragic Mufe, nay, all the fillers nine,
Are now eclips'd — Aladin's lamp doth fhine !
Exulting o'er their tomb — now boxers fpar !
And beaux, in raptures, envy every fear !
Learning and wit were once eileem'd, and then
The ftage produced Ben Johnfon — mix.', Big Ben !
Shakefpeare make room for Humphries ! — that's the w^y*
To bring the men of failiion to the play !
But to our Bard — How fluall we judge his cafe?
Who fcorns the unities of time and place.
Critics, what fay ye? — Muft he fue for peace
To wits of modern France or ancient Greece ?
The great Voltaire has told us, that a play
Should be within one houfe, and in one day — '
But in one evening, how can it be right.
To reprefent the morning, noon, and night?
To hail Aurora, fwear the fun-beam glows.
While thefe vile lamps fllll flare beneath my nofe*
And
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Special collections of printed music > Glen Collection of printed music > Printed text > Composite volume > Mary, Queen of Scots, a tragedy > (359) Page 75 |
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Permanent URL | https://digital.nls.uk/91509852 |
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Description | Epilogue. |
Description | As performed at the Theatre Royal, Drury Lane. By the Honourable John St. John. |
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Shelfmark | Glen.164(4) |
Additional NLS resources: | |
More information |
Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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