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(435) Page 97 - Far, far at sea
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MUSICAL AND LITERARY MISCELLANY.
97
Slow.
FAR, FAR AT SEA.
^e
:=!^==^:
zz^zz:
zzus:
Sym.
=P^=W-
zi-
S
:q— ^zzzz^-jzdzz
lizr^^zztczz^L
'Twas at
I -m-
night when the bell had toU'd twelve, I
ai
^^
J-
And poor
C. H. Florie.
zzHzzlrzzp:
Su - san was
J. J
g
::l:
:^f:
ts:irq--zsz:-zzzilS:^
to:
f=-i=-
laid on her pil-low,
-f^
-t:
:3_z
zr;:zd^:
m
In her ear whisper'd some flit
:z!5=3=5==S- z^nzz^zpr^i^l
:i-=zz«zzS^:?.irzJzfzEpzl
r'd some flit - ting elve, ( Your
IE3:
H
-P-C-
i
.jq.
15=*:
:zlfc
:S5:
i-*
==1^:^^
-1^
li::
hZZf:
:zl^:
rztziferz
f-
love is now toss'd on a
g^^E^E^^E
i^tizzt^=tzE^:
bil - low.
In her
:=*:
dt^
:Uit:
iztt:
ear whisper'd some flit ■ ting
:^=
:P:!3Ez:ic
— \
3=^iS
:=S:
^zj — ■_
-)±t.i-
-f=-p-
ijzjcz;^
elve,
Your loTe is now toss'd on a bil - low,
eaE
iSZptr^:
i-^.
3»z.^
:ff— )«.-
r-
All was dark as she woke out of breath,
Not an object her fears could discover.
All was still as the silence of death,
Save fancy which painted her lover
Far, far at sea.
■G- "
bil - low, far, far at sea.
So she whisper'd a prayer, clos'd her eyes,
But the phantom still haunted her pillow,
"Whilst in terror she echoed his cries.
As struggling he sunk in a bill»w.
Far, far at sea.
MUSIC OF ITALY.
The liking for this art, and fine musical organiza-
tion, are indeed general ; but the result is not at all
what those who have not seen Italy are accustomed
to believe. The luusic of the lower classes is of two
kinds. That which can alone be considered as their
own property has its seat among the peasantry, and
scarcely approaches the towns, except in the airs
which are played to some of the popular dances,
like the tarantella of Naples and the Roman salta-
rello. Tliis national music may have interest for
the antiquaries of the science, who try to recognize
in it the ancient scales; or it may have charms
for those connoisseurs whose taste is peculiarly edu-
No. 62.
cated; but for the common ear it is as unattractive
as it is unvaried. A fesv airs have indeed been col-
lected, particularly about Venice and Naples, which
possess a wild originality ; stilJ the general character
is very little superior to tlie nasal chant with which
the shepherds in tlie Campagna of Rome imitate
successfully the harshest sounds emitted by their
favourite instrument the Calabrian bagpipe. The
second kind of popular music is found in the towns,
where we often hear excellent singing in parts, still
oftener vocal solos skilfully performed, and occasion-
ally serenades with the guitar, whi'4) acquire an
additional interest from their romantic associations.
Bnt every thing in these performance* is borrowed.
97
Slow.
FAR, FAR AT SEA.
^e
:=!^==^:
zz^zz:
zzus:
Sym.
=P^=W-
zi-
S
:q— ^zzzz^-jzdzz
lizr^^zztczz^L
'Twas at
I -m-
night when the bell had toU'd twelve, I
ai
^^
J-
And poor
C. H. Florie.
zzHzzlrzzp:
Su - san was
J. J
g
::l:
:^f:
ts:irq--zsz:-zzzilS:^
to:
f=-i=-
laid on her pil-low,
-f^
-t:
:3_z
zr;:zd^:
m
In her ear whisper'd some flit
:z!5=3=5==S- z^nzz^zpr^i^l
:i-=zz«zzS^:?.irzJzfzEpzl
r'd some flit - ting elve, ( Your
IE3:
H
-P-C-
i
.jq.
15=*:
:zlfc
:S5:
i-*
==1^:^^
-1^
li::
hZZf:
:zl^:
rztziferz
f-
love is now toss'd on a
g^^E^E^^E
i^tizzt^=tzE^:
bil - low.
In her
:=*:
dt^
:Uit:
iztt:
ear whisper'd some flit ■ ting
:^=
:P:!3Ez:ic
— \
3=^iS
:=S:
^zj — ■_
-)±t.i-
-f=-p-
ijzjcz;^
elve,
Your loTe is now toss'd on a bil - low,
eaE
iSZptr^:
i-^.
3»z.^
:ff— )«.-
r-
All was dark as she woke out of breath,
Not an object her fears could discover.
All was still as the silence of death,
Save fancy which painted her lover
Far, far at sea.
■G- "
bil - low, far, far at sea.
So she whisper'd a prayer, clos'd her eyes,
But the phantom still haunted her pillow,
"Whilst in terror she echoed his cries.
As struggling he sunk in a bill»w.
Far, far at sea.
MUSIC OF ITALY.
The liking for this art, and fine musical organiza-
tion, are indeed general ; but the result is not at all
what those who have not seen Italy are accustomed
to believe. The luusic of the lower classes is of two
kinds. That which can alone be considered as their
own property has its seat among the peasantry, and
scarcely approaches the towns, except in the airs
which are played to some of the popular dances,
like the tarantella of Naples and the Roman salta-
rello. Tliis national music may have interest for
the antiquaries of the science, who try to recognize
in it the ancient scales; or it may have charms
for those connoisseurs whose taste is peculiarly edu-
No. 62.
cated; but for the common ear it is as unattractive
as it is unvaried. A fesv airs have indeed been col-
lected, particularly about Venice and Naples, which
possess a wild originality ; stilJ the general character
is very little superior to tlie nasal chant with which
the shepherds in tlie Campagna of Rome imitate
successfully the harshest sounds emitted by their
favourite instrument the Calabrian bagpipe. The
second kind of popular music is found in the towns,
where we often hear excellent singing in parts, still
oftener vocal solos skilfully performed, and occasion-
ally serenades with the guitar, whi'4) acquire an
additional interest from their romantic associations.
Bnt every thing in these performance* is borrowed.
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Special collections of printed music > Glen Collection of printed music > Printed music > British minstrel, and musical and literary miscellany > (435) Page 97 - Far, far at sea |
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Permanent URL | https://digital.nls.uk/91440165 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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