Glen Collection of printed music > Printed text > Charms of melody, or, Siren medley
(93) [Page 105] - How imperfect is expression
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THE
CHARMS OF MELODY,
O R
SIREN MED L.E F.
The Plan of the Pu.bli(her is to embody in one Grand Folio Volume, all the Songf, ancient and modern, in the EugliJh Language
worth preferving — forming an Univcrfal Magazine of Love, Sentimental, War, Hunting, Bacchanalian, Humourous, Sea,. and Political
Songs; as well as Old Englift, Iridi, and Scotch Ballads, Legendaries, &c. &c. To which will be added, a complete Index,
How imperfe<ft is Expreffion.
HOW imperfeifl is expreffion.
Some emotions to impart.
When we mean a fort eonfellion,
And yet fcek to hide the heart.
When our bofoms, all complying.
With delicious tumults fwell.
And what broken, fault'ring, dying.
Language would, but cannot tell.
Deep confufion's rofy terror,
Quite expreffive paints my cheei,
Afl: no more — behold your error,
Elufhes eloquently fpeak ;
What tho' filent is my angtiiih,
Or breath'd only to the air;
Mark my eyes, and as they languifK',
Read what your's have written there.
O that you could once conceive me,
Once my foul's llrong feelings view ;
Love lias nought more fond, believe me,
Friendfhip nothing half fo true.
From you, I am wild, defpairing.
With you, fpeechlefs as I touch.
This is all that bears declaring.
And perhaps, declares too much.
My Name's honeft Harry, O.
[Y name's honeft Harry, O,
Mary I wdll marry, O,
In fpite of Nell
Or Ifabel,
I'll follow my own vagary, O ;
With my rigdum, jigdiim, airy, O,
I love little Mary, O,
In fpite of Nell
Or Ifabel,
I'll follow my own vagary, O.
Straight fhe is> and botiny, O,
Sweet as iugai-candy^ O,
Frefh and gay
As llow'rs in May,
And I'm her Jack-a-dandy, O.
JFith my rigdum, jigdum, ^c.
Soon to the church I'll bring her, O,
Where we'll wed together, O,
And that done.
Then we'll have fun.
In fpite of wind or weather, O-
.With my rigdum, jigdum, &c.
The obftinate Daughtero
IF a daughter you have,
She's the plague of yourlife,
IJo peace you fliall know.
The' you've bury'd your wife J
At twenty flie mocks
At the duty you taught her.
Oh ! what a plague is an obftinate daughter.
Sighing and whining !
Dying and pining !
Oh ! what a plague is an obftinate daughter.
When fcarce in their teens,
They have wit to perplex us.
With letters and lovers
For ever they vex us.
While each fiill rejefts
The fair fuitor you've brought her,
Oh ! what a plague is an obftinate daughter.
Wrangling and jangling !
Flouting and pouting !
Oh ! whr.t a plague is an obftinate daughter.
The Irifh Giant.
♦T'HE Irifh giant you fliall find,
JL Tho' dwarf in form, of ample mind.
And ever to your wifh inclin'd,
With a fee, faw, fura.
Tho' not a friend to mean intrigue.
With truth and honour do but league,
I'll ever ilick by honeft Teague,
With a fee, faw, fum.
Then wave your fword, t'wards Highgate fleer,
And let the Englifh nothing fear,
Tho' you come an Irifh volunteer.
With a fee, faw, fum.
In London fport and beauty reign.
There Cupid holds -a warm campaigHj
And Teague fhall join to fill the traioj
With a fee, faw, fum.
There quacks and fliowmen boaft their art. _
There fops affail the fair-one's heart, •
But Teague ihall better play his part,
With a fee, faw, fum.
Then wave your fword, t'wards Highgate fteer,
And let the Englifli nothing fear, -
Tho' you coma an Irifh volunteer.
With a fee, faw, fum.
PUBLISHED at N^- lO, BEDFORD-ROIV, Dublin,
Where complete Sets, or liiiglc Numbers, may be had-.
Numb.2^
One Penny.
THE
CHARMS OF MELODY,
O R
SIREN MED L.E F.
The Plan of the Pu.bli(her is to embody in one Grand Folio Volume, all the Songf, ancient and modern, in the EugliJh Language
worth preferving — forming an Univcrfal Magazine of Love, Sentimental, War, Hunting, Bacchanalian, Humourous, Sea,. and Political
Songs; as well as Old Englift, Iridi, and Scotch Ballads, Legendaries, &c. &c. To which will be added, a complete Index,
How imperfe<ft is Expreffion.
HOW imperfeifl is expreffion.
Some emotions to impart.
When we mean a fort eonfellion,
And yet fcek to hide the heart.
When our bofoms, all complying.
With delicious tumults fwell.
And what broken, fault'ring, dying.
Language would, but cannot tell.
Deep confufion's rofy terror,
Quite expreffive paints my cheei,
Afl: no more — behold your error,
Elufhes eloquently fpeak ;
What tho' filent is my angtiiih,
Or breath'd only to the air;
Mark my eyes, and as they languifK',
Read what your's have written there.
O that you could once conceive me,
Once my foul's llrong feelings view ;
Love lias nought more fond, believe me,
Friendfhip nothing half fo true.
From you, I am wild, defpairing.
With you, fpeechlefs as I touch.
This is all that bears declaring.
And perhaps, declares too much.
My Name's honeft Harry, O.
[Y name's honeft Harry, O,
Mary I wdll marry, O,
In fpite of Nell
Or Ifabel,
I'll follow my own vagary, O ;
With my rigdum, jigdiim, airy, O,
I love little Mary, O,
In fpite of Nell
Or Ifabel,
I'll follow my own vagary, O.
Straight fhe is> and botiny, O,
Sweet as iugai-candy^ O,
Frefh and gay
As llow'rs in May,
And I'm her Jack-a-dandy, O.
JFith my rigdum, jigdum, ^c.
Soon to the church I'll bring her, O,
Where we'll wed together, O,
And that done.
Then we'll have fun.
In fpite of wind or weather, O-
.With my rigdum, jigdum, &c.
The obftinate Daughtero
IF a daughter you have,
She's the plague of yourlife,
IJo peace you fliall know.
The' you've bury'd your wife J
At twenty flie mocks
At the duty you taught her.
Oh ! what a plague is an obftinate daughter.
Sighing and whining !
Dying and pining !
Oh ! what a plague is an obftinate daughter.
When fcarce in their teens,
They have wit to perplex us.
With letters and lovers
For ever they vex us.
While each fiill rejefts
The fair fuitor you've brought her,
Oh ! what a plague is an obftinate daughter.
Wrangling and jangling !
Flouting and pouting !
Oh ! whr.t a plague is an obftinate daughter.
The Irifh Giant.
♦T'HE Irifh giant you fliall find,
JL Tho' dwarf in form, of ample mind.
And ever to your wifh inclin'd,
With a fee, faw, fura.
Tho' not a friend to mean intrigue.
With truth and honour do but league,
I'll ever ilick by honeft Teague,
With a fee, faw, fum.
Then wave your fword, t'wards Highgate fleer,
And let the Englifh nothing fear,
Tho' you come an Irifh volunteer.
With a fee, faw, fum.
In London fport and beauty reign.
There Cupid holds -a warm campaigHj
And Teague fhall join to fill the traioj
With a fee, faw, fum.
There quacks and fliowmen boaft their art. _
There fops affail the fair-one's heart, •
But Teague ihall better play his part,
With a fee, faw, fum.
Then wave your fword, t'wards Highgate fteer,
And let the Englifli nothing fear, -
Tho' you coma an Irifh volunteer.
With a fee, faw, fum.
PUBLISHED at N^- lO, BEDFORD-ROIV, Dublin,
Where complete Sets, or liiiglc Numbers, may be had-.
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Special collections of printed music > Glen Collection of printed music > Printed text > Charms of melody, or, Siren medley > (93) [Page 105] - How imperfect is expression |
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Permanent URL | https://digital.nls.uk/91430387 |
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Description | Also: My name's honest Harry, o. Also: The obsintate daughter. Also: The Irish giant. |
Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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