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(217) Page 197 - Saw ye nae my Peggy

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(217) Page 197 - Saw ye nae my Peggy
Voice.
Saw ?e nae m^ pegg^?*
Andante moUo espressivo. ^ „
197
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1. Saw ye nae my Peg - gy,
2. O how Peg - gy charms me,
3. "Whe n I hope to gain her,
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SS3ES
1. Saw
2. Ev'
3. Fate
ye nae .
ry look .
seems to . .
my Peg
still warns
de - tain
Saw
Ev'
her ; Cou'd
me;
-t»'
ye nae . . . my
ry thought a -
I but ... ob
Peg
larms
- tain
gy
me,
her,
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a tempo, poco ores.
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liri:
the lea?
Com - in' owre
Lest she love
Hai3 - py wou'd
Sure
Pes
I'lr
fi - nercrea-ture Ne'er was form'd by na - ture,
gy doth dis-co - ver Nought but charms all ov - er,
lie down be-fore her, Bless, sigh, and a - dore her.
* Ramsay wrote new words beginning, " Come, lets liae mair wine in," to this air, and published them in The Tea-Table MUcellany, 1724.
Of tlie verses given above. Burns wrote in iiis Hemarks on Scottish Song : " Tliis charming song is much older and, indeed, superior to Ramsay's
verses, ' Tlie Toast,' as he calls them." They appear, liowever. for the lirst time in Herd's Ancient aiid Modern Scottish Songs, 1769, The air is
included in the lirst edition of the Orpheus caledonius, i725, with Ramsay's verses, and marked " To the Tune of Saw ria ye my Maggie?"
Tliomson's version of the melody is very poor, and he has only sliglitly bettered it in the second edition of his work, in 1733. M'Gibbon's
version, published in his A Collection of Scots Tunes, Bk. ii., 1746, as " Saw ye my Peggy? ' is decidedly better ; so also is tile one inserted in
vol. iii. of Aird's Selection of Scotch, etc.. Airs, 178s. But we seem to be chiefly indebted to the Scots Museum, vol. i., 1787, fertile modern and
singable version of the tune "Saw ye nae my Peggy?" The air given above is almost identical with the first half of Johnson's setting.

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