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(64) Page 44 - Cope sent a letter frae Dunbar
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44
Voice.
Piano.
Co^c sent a letter frae Dunbar.
JOHNNIE COPE.*
Con spirito.
Air : " Py to the hills in the morning."
^:
mf
^
^
5^
9?
^^
i
i^
1. Cope sent a let - ter frae Dun - har : O,
2. "When Char - lie look'd the let - ter up - on, He
as
he
get
to
3. Now, John - nie, he
4. When John - nie Cope
5. Fye, John - nie, now
6. When John - nie Cope
gude's your word, Come,
heard of this. He
up and rin. The
Ber - wick cam'. They
i
-m- -m- -J- ' „ -^ -^
^
r r ^
r ^ «=
r
mf
IS
^
^
^f
^^
-cr-
^'
5
:S
-4-
*
i
^P^^^
-^
at^
1. Char - lie, meet me an ye daur. And I'll learn ye the art o' war, Gin ye'll
2. drew his sword the scab - hard from : Come, fol - low me, my mer - ry men. And
3. let us try haith fire and sword ; And din - na rin like a fright - ed bird. That's
4. thocht it wad
be a - miss To hae a horse in rea
di
To
5. High - land bag - pipes mak' a din ; It's best to sleep in a hale skin, For 'twill
6. speer'd at him, " Wliere's a' your men? ""The deil con -found me, gin I ken. For I
i
^
-m ^ p-
^^
2^
i
i
^^^^:
^— ■
* Two versions of this clever ball.id are given by .loseph Ritson in his Scotish So^ffs, p. 82, etc. They differ consider.ably from the version
in Johnson's 5cors Musical Museuyn, ]^o. 234. Steuliouse declares them to be " merely variations of the original satirical son;^ which was
written by 3Ir. Skirven, author of the song called * Tranent Muir ' " (^Museum Illustrations, p. 22u). For full historical information regarding
Sir John Cope, see Hogg's Jacobite Relics, 1821, Ser. II., p. 308. A version of the tune appears in Oswald's Caledonian Foeket Companion,
Bk. ix, under the title ot " Johny Cope."
Voice.
Piano.
Co^c sent a letter frae Dunbar.
JOHNNIE COPE.*
Con spirito.
Air : " Py to the hills in the morning."
^:
mf
^
^
5^
9?
^^
i
i^
1. Cope sent a let - ter frae Dun - har : O,
2. "When Char - lie look'd the let - ter up - on, He
as
he
get
to
3. Now, John - nie, he
4. When John - nie Cope
5. Fye, John - nie, now
6. When John - nie Cope
gude's your word, Come,
heard of this. He
up and rin. The
Ber - wick cam'. They
i
-m- -m- -J- ' „ -^ -^
^
r r ^
r ^ «=
r
mf
IS
^
^
^f
^^
-cr-
^'
5
:S
-4-
*
i
^P^^^
-^
at^
1. Char - lie, meet me an ye daur. And I'll learn ye the art o' war, Gin ye'll
2. drew his sword the scab - hard from : Come, fol - low me, my mer - ry men. And
3. let us try haith fire and sword ; And din - na rin like a fright - ed bird. That's
4. thocht it wad
be a - miss To hae a horse in rea
di
To
5. High - land bag - pipes mak' a din ; It's best to sleep in a hale skin, For 'twill
6. speer'd at him, " Wliere's a' your men? ""The deil con -found me, gin I ken. For I
i
^
-m ^ p-
^^
2^
i
i
^^^^:
^— ■
* Two versions of this clever ball.id are given by .loseph Ritson in his Scotish So^ffs, p. 82, etc. They differ consider.ably from the version
in Johnson's 5cors Musical Museuyn, ]^o. 234. Steuliouse declares them to be " merely variations of the original satirical son;^ which was
written by 3Ir. Skirven, author of the song called * Tranent Muir ' " (^Museum Illustrations, p. 22u). For full historical information regarding
Sir John Cope, see Hogg's Jacobite Relics, 1821, Ser. II., p. 308. A version of the tune appears in Oswald's Caledonian Foeket Companion,
Bk. ix, under the title ot " Johny Cope."
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Special collections of printed music > Glen Collection of printed music > Printed music > Minstrelsy of Scotland > (64) Page 44 - Cope sent a letter frae Dunbar |
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Permanent URL | https://digital.nls.uk/91378886 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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