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(320) Page 286 - St. George for England
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286 ENGLISH SONG AND BALLAD MUSIC.
ST. GEORGE FOR ENGLAND.
There are black-letter copies of this ballad in the Pepys and Bagford Collec-
tions. It is also in An Antidote to Melmicholy, 1661 ; in part ii. of Merry
Drollery Complete, 1661 and 1670; m Wit and Drollery, 1682; Pills to purge
Melancholy, 1707 and 1719; &c.
It is one of those offered for sale by the ballad-singer in Ben Jonson's
comedy of Bartholomew Fair.
Pepys, in his Diary, tells us of " reading a ridiculous ballad, made in praise of
the Duke of Albemarle, to the tune of St. G-eorge — the tune being printed too;"
and adds, " I observe that people have great encouragement to make ballads of
him, of this kind. There are so many, that hereafter he will sound like Guy of
Warwick." (6th March, 1667.)
Fielding, in his novel of Tom Jones, speaks of St. George he toas for Migland
as one of Squire Western's favorite tunes.
The ballad in the Pepys Collection (i. 87) is entitled " Saint George's Com-
mendation to all Souldiers ; or Saint George's Alarum to all that profess martiall
discipline, with a memoriall of the Worthies who have been borne so high on the
wings of Fame for their brave adventures, as they cannot be buried in the pit of
oblivion : to a pleasant neio tuneP It was " imprinted at London, by W. W.," in
1612, and is the copy from which Percy printed, in his Reliques of Ancient
Poetry. It begins — " "ViTiy do we boast of Arthur and his Knigbtes."
In Anthony Wood's Collection, at Oxford, No. 401, there is a modernization
of this ballad, entitled —
" St. George for England, and St. Dennis for France;
O hony soite qui mal y pance :
to an excellent new tune." (Wood's Ballads, ii. 118.) It is subscribed S. S., and
" printed for W. Gilbertson, in Giltspur Street ; " from which it may be dated
about 1659.
As a specimen of the comparative modernization, I give the first stanza : —
" What need we brag or boast at all Sir Tarquin, that great giant,
Of Arthur and his Knights, His vassal did remain ;
Knowing how many gallant men But St. George, St. George,
They have subdued in fights. The Dragon he hath slain.
For bold Sir Launcelot du Lake St. George he was for England,
Was of the table round ; St. Dennis was for France ;
And fighting for a lady's sake, O hony soite qui mal y pance."
His sword with fame was crown'd ;
A copy of the old ballad in the Bagford Collection is entitled " A new ballad
of St. George and the Dragon," but there is also another of St. George and the
Dragon, which Percy has printed in the Reliques.
In 180 Loyal Songs, 1685 and 1694, there is " a new song on the instalment of
Sir John Moor, Lord Mayor of London : tune, St. George for England.^'' And in
Pills to purge Melancholy, iii. 20 (1707), "A new ballad of King Edward and
Jane Shore," to the same.
ST. GEORGE FOR ENGLAND.
There are black-letter copies of this ballad in the Pepys and Bagford Collec-
tions. It is also in An Antidote to Melmicholy, 1661 ; in part ii. of Merry
Drollery Complete, 1661 and 1670; m Wit and Drollery, 1682; Pills to purge
Melancholy, 1707 and 1719; &c.
It is one of those offered for sale by the ballad-singer in Ben Jonson's
comedy of Bartholomew Fair.
Pepys, in his Diary, tells us of " reading a ridiculous ballad, made in praise of
the Duke of Albemarle, to the tune of St. G-eorge — the tune being printed too;"
and adds, " I observe that people have great encouragement to make ballads of
him, of this kind. There are so many, that hereafter he will sound like Guy of
Warwick." (6th March, 1667.)
Fielding, in his novel of Tom Jones, speaks of St. George he toas for Migland
as one of Squire Western's favorite tunes.
The ballad in the Pepys Collection (i. 87) is entitled " Saint George's Com-
mendation to all Souldiers ; or Saint George's Alarum to all that profess martiall
discipline, with a memoriall of the Worthies who have been borne so high on the
wings of Fame for their brave adventures, as they cannot be buried in the pit of
oblivion : to a pleasant neio tuneP It was " imprinted at London, by W. W.," in
1612, and is the copy from which Percy printed, in his Reliques of Ancient
Poetry. It begins — " "ViTiy do we boast of Arthur and his Knigbtes."
In Anthony Wood's Collection, at Oxford, No. 401, there is a modernization
of this ballad, entitled —
" St. George for England, and St. Dennis for France;
O hony soite qui mal y pance :
to an excellent new tune." (Wood's Ballads, ii. 118.) It is subscribed S. S., and
" printed for W. Gilbertson, in Giltspur Street ; " from which it may be dated
about 1659.
As a specimen of the comparative modernization, I give the first stanza : —
" What need we brag or boast at all Sir Tarquin, that great giant,
Of Arthur and his Knights, His vassal did remain ;
Knowing how many gallant men But St. George, St. George,
They have subdued in fights. The Dragon he hath slain.
For bold Sir Launcelot du Lake St. George he was for England,
Was of the table round ; St. Dennis was for France ;
And fighting for a lady's sake, O hony soite qui mal y pance."
His sword with fame was crown'd ;
A copy of the old ballad in the Bagford Collection is entitled " A new ballad
of St. George and the Dragon," but there is also another of St. George and the
Dragon, which Percy has printed in the Reliques.
In 180 Loyal Songs, 1685 and 1694, there is " a new song on the instalment of
Sir John Moor, Lord Mayor of London : tune, St. George for England.^'' And in
Pills to purge Melancholy, iii. 20 (1707), "A new ballad of King Edward and
Jane Shore," to the same.
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Special collections of printed music > Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 1 > (320) Page 286 - St. George for England |
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Permanent URL | https://digital.nls.uk/91371287 |
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Shelfmark | Glen.254 |
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Attribution and copyright: |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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