Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 1
(304) Page 270 - Boatman
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270
ENGLISH SONG AND BALLAD MUSIC.
a ballad to the tune of Lucina, entitled " A most pleasant Dialogue, or a merry
greeting between two Lovers," &c. ; beginning, " Good morrow, fair Nancie,
whither so fast; " which I suppose to be also to the tune. It is subscribed C.R.
Printed at London for H[enry G[osson.]
The following is also from the Roxburghe Collection (i. 462) , and is reprinted
in Collier's Roxburghe Ballads, p. 7.
Slow Sf very smoothly. _
i
^^^
^^^
^
^F^
* *
Sweet mis-tress Money, I here will declare Thy beauty whicliev'ry one adoreth.The
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^
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i
^
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-i ^ ^ 7^
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lof- ty gal-lant and beg-gar so bare, Some help and comfort from thee im-plor-eth. For
^
^
J ^ i ; J
m^
n
T
:*=I=S
^rr
^=^
thou art become the world's sweet-heart, While ev'ry one dothmake thee their honey, And
:i—^-i^
=^
■ft-^
^
r?3 i J ^ Ag
^ ^^^^
w
i—t-^
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loth they are from thee to de-part. So well they do love sweet Mis- tress Mo-ney.
sH^-mrf i -r S it
m
w
f
T==^
THE BOATMAN.
This is a bagpipe tune, and might be harmonized with a drone base. In
MusicVs Recreation on the Viol, Lyra-ioay, 1661, the viol is strung to the " bag-
pipe tuning," to play it. It is to be found in every edition of The Dancing Master,
from the first to that of 1698. I have not discovered the song of The Boatman,
but have adapted a stanza from Coryat's Orambe, 1611, to the air. It resembles
Trip and go (see p. 131), and the same words might be sung to it. The accent
of the tune seems intended to imitate the turning of the scull in boating.
In the Roxburghe Collection, ii. 496, is a ballad entitled " The wanton wife of
ENGLISH SONG AND BALLAD MUSIC.
a ballad to the tune of Lucina, entitled " A most pleasant Dialogue, or a merry
greeting between two Lovers," &c. ; beginning, " Good morrow, fair Nancie,
whither so fast; " which I suppose to be also to the tune. It is subscribed C.R.
Printed at London for H[enry G[osson.]
The following is also from the Roxburghe Collection (i. 462) , and is reprinted
in Collier's Roxburghe Ballads, p. 7.
Slow Sf very smoothly. _
i
^^^
^^^
^
^F^
* *
Sweet mis-tress Money, I here will declare Thy beauty whicliev'ry one adoreth.The
;?^i=ft
^
^E
i
^
J-nJH^-
I
-i ^ ^ 7^
^^
i-J— L^
lof- ty gal-lant and beg-gar so bare, Some help and comfort from thee im-plor-eth. For
^
^
J ^ i ; J
m^
n
T
:*=I=S
^rr
^=^
thou art become the world's sweet-heart, While ev'ry one dothmake thee their honey, And
:i—^-i^
=^
■ft-^
^
r?3 i J ^ Ag
^ ^^^^
w
i—t-^
f=
loth they are from thee to de-part. So well they do love sweet Mis- tress Mo-ney.
sH^-mrf i -r S it
m
w
f
T==^
THE BOATMAN.
This is a bagpipe tune, and might be harmonized with a drone base. In
MusicVs Recreation on the Viol, Lyra-ioay, 1661, the viol is strung to the " bag-
pipe tuning," to play it. It is to be found in every edition of The Dancing Master,
from the first to that of 1698. I have not discovered the song of The Boatman,
but have adapted a stanza from Coryat's Orambe, 1611, to the air. It resembles
Trip and go (see p. 131), and the same words might be sung to it. The accent
of the tune seems intended to imitate the turning of the scull in boating.
In the Roxburghe Collection, ii. 496, is a ballad entitled " The wanton wife of
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Special collections of printed music > Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 1 > (304) Page 270 - Boatman |
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Permanent URL | https://digital.nls.uk/91371095 |
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Shelfmark | Glen.254 |
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Additional NLS resources: | |
Attribution and copyright: |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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