Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 1
(169) Page 135 - Barley-break
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REIGN OF ELIZABETH.
135
to cover tabors ; at the sound of which to set all the shires a dancing. . . . The
court of kings is for stately measures; the city for light heels and nimble footing ;
western men for gambols ; Middlesex men for tricks above ground ; Essex men
for the S^ey ; Lancashire for Sornpipes ; Worcestershire for bagpipes ; but Here-
fordshire for a Morris-dance, puts down not only all Kent, but very near (if one
had line enough to measure it) three quarters of Chi-istendom. Never had Saint
Sepulchre's a truer ring of bells ; never did any silk-weaver keep braver time ;
never could Beverley Fair give money to a more sound taborer ; nor ever had
Robin Hood a more deft Maid Marian."
Full particulars of the Morris-dance and May-games may be found by referring
to Strutt's Sports and Pastimes; to Ritson's Robin Hood ; to an account of a
painted window, appended to part of Henry IV., in Steevens' Shakespeare, the
XV. vol. edition ; to Gifford's Ben Jonson, vol. i., pages 50, 51, 62, vol. iv.,p. 405,
and vol. vii., p. 397 ; to The British Bibliographer, vol. iv., p. 326 ; Brand's
Popular Antiquities; Deuce's Illustrations of Shakespeare; and Dr. Drake's
Shakespeare and his Times, vol. i., &c., &c.
BARLEY-BREAK.
From Lady Neville's Virginal Book, which was transcribed in 1591.
Stately.
Jilif.liffhi ru i ff l f r-h^a
221
ruf
g
ts
Fast.
W^
— ■-» — 1^ — "-♦
^li:
-_-s i i I ci^r nHi
^g
Repeat Piano.
I ^r . I J J J — I I g | ^~ =hgp^ —
^
I* • i»
J JJ J^. JJ
5
i
^
J ; j ^ i ji
=ib=i&
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135
to cover tabors ; at the sound of which to set all the shires a dancing. . . . The
court of kings is for stately measures; the city for light heels and nimble footing ;
western men for gambols ; Middlesex men for tricks above ground ; Essex men
for the S^ey ; Lancashire for Sornpipes ; Worcestershire for bagpipes ; but Here-
fordshire for a Morris-dance, puts down not only all Kent, but very near (if one
had line enough to measure it) three quarters of Chi-istendom. Never had Saint
Sepulchre's a truer ring of bells ; never did any silk-weaver keep braver time ;
never could Beverley Fair give money to a more sound taborer ; nor ever had
Robin Hood a more deft Maid Marian."
Full particulars of the Morris-dance and May-games may be found by referring
to Strutt's Sports and Pastimes; to Ritson's Robin Hood ; to an account of a
painted window, appended to part of Henry IV., in Steevens' Shakespeare, the
XV. vol. edition ; to Gifford's Ben Jonson, vol. i., pages 50, 51, 62, vol. iv.,p. 405,
and vol. vii., p. 397 ; to The British Bibliographer, vol. iv., p. 326 ; Brand's
Popular Antiquities; Deuce's Illustrations of Shakespeare; and Dr. Drake's
Shakespeare and his Times, vol. i., &c., &c.
BARLEY-BREAK.
From Lady Neville's Virginal Book, which was transcribed in 1591.
Stately.
Jilif.liffhi ru i ff l f r-h^a
221
ruf
g
ts
Fast.
W^
— ■-» — 1^ — "-♦
^li:
-_-s i i I ci^r nHi
^g
Repeat Piano.
I ^r . I J J J — I I g | ^~ =hgp^ —
^
I* • i»
J JJ J^. JJ
5
i
^
J ; j ^ i ji
=ib=i&
=F^
r
# m.
I
g
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Special collections of printed music > Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 1 > (169) Page 135 - Barley-break |
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Permanent URL | https://digital.nls.uk/91369475 |
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Shelfmark | Glen.254 |
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Additional NLS resources: | |
Attribution and copyright: |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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