Glen Collection of printed music > Printed text > Popular music of the olden time > Volume 2

REIGN OP QUEEN ANNE TO GEORGE II. 623
Statius, can amuse a whole board of Justices and extraordinary 'Squires, or gain one
hum of approbation, or laugh of admiration ! ' These things,' they would say, 'are
too studious, they may do well enough with such as love reading, but give us your
ancient poet, Mr. D'Urfey." (Pope's Literary Correspondence, Curll, i. 267.)
The secret of D'Urfey's popularity as a song-writer, lay in his selection of the
tunes. He trenched upon the occupation of the professed ballad-writers, by
adopting the airs which had been their exclusive property, and by taking the
subjects of their ballads ; altering them to give them as his own. If the reader will
compare Martin Parker's " Milkmaid's Life " with D'Urfey's " Bonny Milkmaid "
(ante pp. 295, 297), he will see how these transformations were effected; and
there are many similar examples in the Pills.
Perhaps no man was ever so general a favorite with his contemporaries as
Torn D'Urfey. His brother poets pleaded for him in his old age, and, by their
good offices and those of the actors, he was rescued from the effects of the im-
providence which has been proverbial with men of his class. Steele and Addison
were his great friends, and equally urged his claims upon the public. Addison,
on the occasion of a play to be acted for D'Urfey's benefit, wrote in these
words : — ■" He has made the world merry, and I hope they will make him easy
as long as he stays among us. This I will take upon me to say, they cannot
do a kindness to a more diverting companion, or a more cheerful, honest, good-
natured man."
The Londoner who enters St. James's Church from Jermyn Street will see a stone
with this inscription :— " Tom D'Urfey : Dyed Feb^ y e 26th, 1723." The stone
has been removed to the back of the church, for within my recollection, it stood
by the principal entrance. The following " Epitaph upon Tom D'Urfey" is from
Miscellaneous Poems by several hands, i. 6. 1726 : —
" Here lyes the Lyrick, who, with tale and song,
Did life to three score years and ten prolong ;
His tale was pleasant and his song was sweet,
His heart was cheerful — but his thirst was great.
Grieve, Reader, grieve, that he too soon grew old, —
His song has ended, and his tale is told."
The only great use which had been made of old tunes by the upper classes
before D'Urfey's time (except for dancing) was for political songs or lampoons,
and they were continuously employed for those purposes to the middle of the last
century, and occasionally at later dates. Lady Luxborough says in a letter to
Shenstone, " It is the fashion for every body to write a couplet to the same tune
(viz., an old country dance) upon whatever subject occurs to them, — I should say
upon whatever person, with their names to it. Lords, gentlemen, ladies, flirts,
scholars, soldiers, divines, masters, and misses, are all authors upon this occasion
and also the objects of each other's satire." (Monthly Review, liv., 62.)
In the petition of Thomas Brown, by Sir Fleetwood Shepherd, he thus alludes
to their frequent use in his day : —