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(91) Page 67 - Here's a health to ane I lo'e dear
THE SONGS OF SCOTLAND.
67
108
HERE'S A HEALTH TO ANE I LO'E DEAR.
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Here's a health to ane I lo'e dear, Here's a health to ane I lo'e
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dear ; Thou art sweet as the smile when fond lo - vers meet ;
And
sweet - cr for thee de
spair - ing, Than aught in the world be - side, Jes - sie !
I mourn through the gay gaudy day,
As hopeless I muse on thy charms ;
But welcome the dream o' sweet slumber,
For then I am lock'd in thy arms, Jessie !
1 guess by the dear angel smile,
I guess by the love-rolling e'e ;
But why urge the tender confession,
'Gainst fortune's fell cruel decree ? — Jessie !
" Here's a health to ane I lo'e dear." In Blackie's " Book of Scottish Song," p. 133, is the following Note :—
" This exquisite little song was among the last Burns ever wrote. It was composed in honour of Jessie Lewars, (now
Mrs. Thomson of Dumfries,) the sister of a brother exciseman of the poet, and one who has endeared her name to
posterity by the affectionate solicitude with which she tended Burns during his last illness." Mr. Stenhouse, in vol. v.
p. 371 of Museum, says that the air was communicated by Burns, but is not genuine. Mr. Stenhouse annexes a
copy of the music in three-eight time, which he gives as correct, but does not say whence he derived it. The author
of the tune is not known. It has little of a Scottish, and still less of an antique character. In Johnson's, and other
more recent sets of the air, the rhythm is spoiled by an interpolation, to make it suit the metre of verses written by
Burns, which do not correspond with the metre of the Jacobite song as given by Mr. Stenhouse; each stanza of which
consists of three lines of eight syllables, and one of seven.
Burns himself strenuously opposed any alterations in national Scottish melodies. In a letter to Mr. Thomson,
April 1793, in which he sends the song beginning " Farewell, thou stream that winding flows," he writes thus :
" One hint let me give you — whatever Mr. Pleyel does, let him not alter one iota of the original Scottish airs ; I mean
in the song department; but let our national music preserve its native features. They are, I own, frequently wild
and irreducible to the more modern rules ; but on that very eccentricity, perhaps, depends a great part of their
effect." In his answer to that letter, Mr. Thomson, 26th April 1793, says :_" Pleyel does not alter a single note of
the songs. That would be absurd, indeed ! With the airs which he introduces into the sonatas, 1 allow him to take
such liberties as he pleases, but that has nothing to do with the songs."

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