Glen Collection of printed music > Printed text > Allan Ramsay
(72) Page 68
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CHAPTER VI
RAMSAY AS AN EDITOR ; THE ' TEA-TABLE MISCELLANY '
AND THE 'evergreen' 1 72 I -25
The popularity accruing to Ramsay from the publi-
cation of the quarto of 1721 was so great that
his fame was compared, in all seriousness, with that
of his celebrated English contemporaries, Pope, Swift
and Addison. No better evidence of the unfitness of
contemporary opinion to gauge the real and ultimate
position of any author in the hierarchy of genius could
be cited than the case now before us. The critical
perspective is egregiously untrue. The effect of person-
ality and of social qualities is permitted to influence a
verdict that should be given on the attribute of intel-
lectual excellence alone. Only through the lapse of
time is the personal equation eliminated from the
estimate of an author's relative proportion to the
aggregate of his country's genius.
Nor were his countrymen aware of the extravagance
of their estimate when such a man as Ruddiman styled
hhn 'the Horace of our days,' and when Starrat,
in a poetical epistle, apostrophises him in terms like
these —
' Ramsay ! for ever live ; for wba like you,
In deathless sang, sic life-like pictures drew ?
RAMSAY AS AN EDITOR ; THE ' TEA-TABLE MISCELLANY '
AND THE 'evergreen' 1 72 I -25
The popularity accruing to Ramsay from the publi-
cation of the quarto of 1721 was so great that
his fame was compared, in all seriousness, with that
of his celebrated English contemporaries, Pope, Swift
and Addison. No better evidence of the unfitness of
contemporary opinion to gauge the real and ultimate
position of any author in the hierarchy of genius could
be cited than the case now before us. The critical
perspective is egregiously untrue. The effect of person-
ality and of social qualities is permitted to influence a
verdict that should be given on the attribute of intel-
lectual excellence alone. Only through the lapse of
time is the personal equation eliminated from the
estimate of an author's relative proportion to the
aggregate of his country's genius.
Nor were his countrymen aware of the extravagance
of their estimate when such a man as Ruddiman styled
hhn 'the Horace of our days,' and when Starrat,
in a poetical epistle, apostrophises him in terms like
these —
' Ramsay ! for ever live ; for wba like you,
In deathless sang, sic life-like pictures drew ?
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Special collections of printed music > Glen Collection of printed music > Printed text > Allan Ramsay > (72) Page 68 |
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Permanent URL | https://digital.nls.uk/91279150 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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