Glen Collection of printed music > Printed text > Songs of Scotland prior to Burns
(319) Page 315
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THE YELLOW-HAIRED LADDIE. 315
The guidwife cries but the house, ' Jenny, come ben,
The cheese is to mak, and the butter's to kirn.'
Though butter and cheese and a' should sour,
I '11 crack wi' my love for another half-hour —
Ae half-hour, and we '11 e'en mak it three,
For the yellow-haired laddie my husband shall be.
This appears in the Tea-table Miscellany (1724), as the original
simple rustic song to the beautiful melody of The Yellow-Haired
Laddie. The air by itself had been published in Mrs Crockat's
Music Book, in 1709. Eamsay composed a song to the air,
beginning —
' In April when primroses paint the sweet plain,'
which is far from being devoid of merit : he also composed for it
a song in The Gentle Shepherd —
' When first my dear laddie gaed to the green hill ' —
a not less pleasing song. Yet it may be said that the old country
ditty, which milkmaids used to sing, and which perhaps a
milkmaid composed, has a superior charm to all that has been
attempted to the same strain.
THE YELLOW-HAIRED LADDIE.
(ramsay's version).
Tn April, when primroses paint the sweet plain,
And summer approaching rejoiceth the swain,
The yellow-haired laddie would oftentimes go
To woods and deep glens where the hawthorn-trees grow.
There, under the shade of an old sacred thorn,
With freedom he sung his loves, evening and morn :
He sung with so soft and enchanting a sound,
That sylvans and fairies, unseen, danced around.
The guidwife cries but the house, ' Jenny, come ben,
The cheese is to mak, and the butter's to kirn.'
Though butter and cheese and a' should sour,
I '11 crack wi' my love for another half-hour —
Ae half-hour, and we '11 e'en mak it three,
For the yellow-haired laddie my husband shall be.
This appears in the Tea-table Miscellany (1724), as the original
simple rustic song to the beautiful melody of The Yellow-Haired
Laddie. The air by itself had been published in Mrs Crockat's
Music Book, in 1709. Eamsay composed a song to the air,
beginning —
' In April when primroses paint the sweet plain,'
which is far from being devoid of merit : he also composed for it
a song in The Gentle Shepherd —
' When first my dear laddie gaed to the green hill ' —
a not less pleasing song. Yet it may be said that the old country
ditty, which milkmaids used to sing, and which perhaps a
milkmaid composed, has a superior charm to all that has been
attempted to the same strain.
THE YELLOW-HAIRED LADDIE.
(ramsay's version).
Tn April, when primroses paint the sweet plain,
And summer approaching rejoiceth the swain,
The yellow-haired laddie would oftentimes go
To woods and deep glens where the hawthorn-trees grow.
There, under the shade of an old sacred thorn,
With freedom he sung his loves, evening and morn :
He sung with so soft and enchanting a sound,
That sylvans and fairies, unseen, danced around.
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Special collections of printed music > Glen Collection of printed music > Printed text > Songs of Scotland prior to Burns > (319) Page 315 |
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Permanent URL | https://digital.nls.uk/90579566 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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