Glen Collection of printed music > Printed text > Illustrated book of Scottish songs from the sixteenth to the nineteenth century
(126) Page 110
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110 SONGS OF THE AFFECTIONS.
There Simmer first unfald her robes,
And there the langest tarry ;
For there I took the last fareweel
0' my sweet Highland Mary.
How sweetly bloom'd the gay green birk,
How rich the hawthorn's blossom,
As underneath their fragrant shade
I clasp 'd her to my bosom !
The golden hours on angel wings
Flew o'er me and my dearie ;
For dear to me as light and life
Was my sweet Highland Mary.
Wi' mony a vow and lock'd embrace,
Our parting was fu' tender ;
And pledging aft to meet again,
We tore oursels asunder ;
But, oh, fell death's untimely frost.
That nipt my flower sae early ;
Now green's the sod and cauld's the clay
That wraps my Highland Mary !
Oh, pale, pale now those rosy lips
I aft hae kiss'd sae fondly ;
And closed for aye the sparkling glance
That dwelt on me sae kindly ;
And mould'ring now in silent dust
That heart that lo'ed me dearly ;
But still within my bosom's core
Shall live my Highland Mary.
" ' HigMand Mary,'" says tlie Hon. A. Erskine, in a letter to Mr. George Thomson,
" is most encliantingly pathetic." Burns says of it himself, in a letter to Mr. Thom-
son: " The foregoing song pleases myself; I think it is in my happiest manner; you
•will see at first glance that it suits the air. The subject of the song is one of the
most interesting passages of my youthful days [see note to " Maiy in Heaven,"
p. 91] ; and I own that I should be much flattered to see the verses set to an air
which would insure celebrity. Perhaps, after all, 'tis the still-glowing prejudice of
my heart that throws a borrowed lustre over the merits of the composition."
There Simmer first unfald her robes,
And there the langest tarry ;
For there I took the last fareweel
0' my sweet Highland Mary.
How sweetly bloom'd the gay green birk,
How rich the hawthorn's blossom,
As underneath their fragrant shade
I clasp 'd her to my bosom !
The golden hours on angel wings
Flew o'er me and my dearie ;
For dear to me as light and life
Was my sweet Highland Mary.
Wi' mony a vow and lock'd embrace,
Our parting was fu' tender ;
And pledging aft to meet again,
We tore oursels asunder ;
But, oh, fell death's untimely frost.
That nipt my flower sae early ;
Now green's the sod and cauld's the clay
That wraps my Highland Mary !
Oh, pale, pale now those rosy lips
I aft hae kiss'd sae fondly ;
And closed for aye the sparkling glance
That dwelt on me sae kindly ;
And mould'ring now in silent dust
That heart that lo'ed me dearly ;
But still within my bosom's core
Shall live my Highland Mary.
" ' HigMand Mary,'" says tlie Hon. A. Erskine, in a letter to Mr. George Thomson,
" is most encliantingly pathetic." Burns says of it himself, in a letter to Mr. Thom-
son: " The foregoing song pleases myself; I think it is in my happiest manner; you
•will see at first glance that it suits the air. The subject of the song is one of the
most interesting passages of my youthful days [see note to " Maiy in Heaven,"
p. 91] ; and I own that I should be much flattered to see the verses set to an air
which would insure celebrity. Perhaps, after all, 'tis the still-glowing prejudice of
my heart that throws a borrowed lustre over the merits of the composition."
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Special collections of printed music > Glen Collection of printed music > Printed text > Illustrated book of Scottish songs from the sixteenth to the nineteenth century > (126) Page 110 |
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Permanent URL | https://digital.nls.uk/90350095 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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