Glen Collection of printed music > Printed text > Poems and songs, chiefly in the Scottish dialect
(35) Page xxvii
Download files
Complete book:
Individual page:
Thumbnail gallery: Grid view | List view

xxvn
Cached pieces in the works of our earlier bards, in
some recent musical publications, and, above all,
the exquisite specimens, in the writings of Burns,
furnished him models ; and the compositions which
he has left, shew with what skill he has contrived
to form his taste by such opportunities of improve-
ment. He said Burns " had licked the cream of
our Scottish airs," yet he has himself served up many
delicious treats of this kind to his countrymen.
He surveyed nature with the eye of a poet, felt
a poet's rapture, and delineated her features with
fidelity, elegance, and grace. The freedom of his
sketches, and freshness of his colouring, cannot
fail to excite a kindred feeling in every breast alive
to rural scenery, and the beauties of nature. His
views, drawn at ail seasons of the year, and periods
of the day, always please, and often delight.
His individual portraits are striking and interest-
ing. Under his management nature is always
amiable, for there is invariably some association.
that interests curiosity, or affects sensibility, and
in.no.- case does he overstep the limits of delicacy,
or- express a sentiment offensive to the ear of modesty.
The variety of his delineations excites our astonish-
ment, when we consider the circumstances in which he
Cached pieces in the works of our earlier bards, in
some recent musical publications, and, above all,
the exquisite specimens, in the writings of Burns,
furnished him models ; and the compositions which
he has left, shew with what skill he has contrived
to form his taste by such opportunities of improve-
ment. He said Burns " had licked the cream of
our Scottish airs," yet he has himself served up many
delicious treats of this kind to his countrymen.
He surveyed nature with the eye of a poet, felt
a poet's rapture, and delineated her features with
fidelity, elegance, and grace. The freedom of his
sketches, and freshness of his colouring, cannot
fail to excite a kindred feeling in every breast alive
to rural scenery, and the beauties of nature. His
views, drawn at ail seasons of the year, and periods
of the day, always please, and often delight.
His individual portraits are striking and interest-
ing. Under his management nature is always
amiable, for there is invariably some association.
that interests curiosity, or affects sensibility, and
in.no.- case does he overstep the limits of delicacy,
or- express a sentiment offensive to the ear of modesty.
The variety of his delineations excites our astonish-
ment, when we consider the circumstances in which he
Set display mode to: Large image | Transcription
Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated.
Special collections of printed music > Glen Collection of printed music > Printed text > Poems and songs, chiefly in the Scottish dialect > (35) Page xxvii |
---|
Permanent URL | https://digital.nls.uk/90345638 |
---|
Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe.There are more than 330 publications contained in about 320 selected from the collection of John Glen (1833-1904). Also available are a few manuscripts, some treatises, and other books on the subject. |
---|---|
Additional NLS resources: |
Description | Over 400 volumes from three internationally renowned special collections of printed music. The Glen Collection and the Inglis Collection represent excellent archives of 18th-19th century Scottish music, including Scottish songs. The Hopkinson Verdi Collection contains contemporary and later editions of the works of Verdi, collected by bibliographer Cecil Hopkinson. |
---|