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G A
GAL AT HE A. C. by
JohnLyly, 4to. 1592.
Played before queen Eliza-
beth at Greenwich, on New-
Year's-Day at night.
Gallic Gratitude ; or, The
Tremhman in India. Com.
of two ads, by James Solas
Dodd, performed at Covent-
Garden, 8vo. 1779.
Galligantus. A Mufical
Entertainment, 8vo. 1758.
This piece was taken from
Mr. Brooke's Jack the Giant
Mueller. It was acted at
the Hay market, and once
at Drury-Lane, for Mrs.
Yates's benefit.
A Came at Cheje, by T.
Middleron, 4to. This play
was acted at the Globe, on
the Bank Side, and, though
it has no date, was publiihed
about 1625. It is a fort of
religious controverfy, the
game being played between
one of the church of Eng-
land and another of the
church of Rome, wherein
the former in the end gets
the victory, Ignatius hoyala
fitting by as a fpectator.
The fcene lies in London.
The. Gamefier. Com. by
James Shirley. Acted at
Drury-Lane, 4*0. 1 637.
This is very far from being
a bad play. The plot of it
is intricate, yet natural ; the
characters well drawn, and the
cataflrcphe juft and moral.
It has been twice altered,
and brought on the ilage un-
I 9S 1
G A
der different titles ; fir ft by
Charles Johnfon, who took
his play of the Wife's Relief
aimoft entirely £ym it ; and
afterwards by Mr. Garrick.
The Gamcfter. Com. by
Mrs. Centiivre. Acted at
Lincoln's-lnn-Fields, 4to.
1705. This piece is formed
on models not her own, the
plot of it being- almoir. en-
tirely borrowed from a
French comedy, called Le
Dijfipateur.
The Ga?nejler. Trag. by
Edward Moore. Acted at
Drury-Lane, 8vo. 1753.
This tragedy is written in
profe, and is the moil capi-
tal piece Mr. Moore pro-
duced. The language is
nervous, and yet pathetic ;
the plot is artful, yet clearly
conducted ; the characters
are highly marked, yet not
unnatural ; and the cataf-
trophe is truly tragic, 1 yet
not unjuft. Still, with all
thefe merits, it met with but
mid] in g fuccefs, the general
cry againft it being that the
diilreis was too deep to be
borne ; yet we are rather apt
to imagine its want of per-
fect approbation arofe in one
part, and that no incon-
fiderable one, of the audi-
ence, from a tendernefs of
another kind than that of
compamon ; and that they
were lefs hurt by the diftreis
of Beverley, than by finding
vounte
GAL AT HE A. C. by
JohnLyly, 4to. 1592.
Played before queen Eliza-
beth at Greenwich, on New-
Year's-Day at night.
Gallic Gratitude ; or, The
Tremhman in India. Com.
of two ads, by James Solas
Dodd, performed at Covent-
Garden, 8vo. 1779.
Galligantus. A Mufical
Entertainment, 8vo. 1758.
This piece was taken from
Mr. Brooke's Jack the Giant
Mueller. It was acted at
the Hay market, and once
at Drury-Lane, for Mrs.
Yates's benefit.
A Came at Cheje, by T.
Middleron, 4to. This play
was acted at the Globe, on
the Bank Side, and, though
it has no date, was publiihed
about 1625. It is a fort of
religious controverfy, the
game being played between
one of the church of Eng-
land and another of the
church of Rome, wherein
the former in the end gets
the victory, Ignatius hoyala
fitting by as a fpectator.
The fcene lies in London.
The. Gamefier. Com. by
James Shirley. Acted at
Drury-Lane, 4*0. 1 637.
This is very far from being
a bad play. The plot of it
is intricate, yet natural ; the
characters well drawn, and the
cataflrcphe juft and moral.
It has been twice altered,
and brought on the ilage un-
I 9S 1
G A
der different titles ; fir ft by
Charles Johnfon, who took
his play of the Wife's Relief
aimoft entirely £ym it ; and
afterwards by Mr. Garrick.
The Gamcfter. Com. by
Mrs. Centiivre. Acted at
Lincoln's-lnn-Fields, 4to.
1705. This piece is formed
on models not her own, the
plot of it being- almoir. en-
tirely borrowed from a
French comedy, called Le
Dijfipateur.
The Ga?nejler. Trag. by
Edward Moore. Acted at
Drury-Lane, 8vo. 1753.
This tragedy is written in
profe, and is the moil capi-
tal piece Mr. Moore pro-
duced. The language is
nervous, and yet pathetic ;
the plot is artful, yet clearly
conducted ; the characters
are highly marked, yet not
unnatural ; and the cataf-
trophe is truly tragic, 1 yet
not unjuft. Still, with all
thefe merits, it met with but
mid] in g fuccefs, the general
cry againft it being that the
diilreis was too deep to be
borne ; yet we are rather apt
to imagine its want of per-
fect approbation arofe in one
part, and that no incon-
fiderable one, of the audi-
ence, from a tendernefs of
another kind than that of
compamon ; and that they
were lefs hurt by the diftreis
of Beverley, than by finding
vounte
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Special collections of printed music > Glen Collection of printed music > Printed text > New theatrical dictionary > (109) Page 95 |
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Permanent URL | https://digital.nls.uk/90316673 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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