Glen Collection of printed music > Printed music > Scots musical museum > Volume 5
(228) Page 468
Download files
Complete book:
Individual page:
Thumbnail gallery: Grid view | List view
468 * IT WAS a' for our rightfu' king.
9.
She took the slippers off her feet.
And the cockups off her hair.
And she has taken a long journey.
For seven long y^ars and mair, my dear.
For seven long years and mair.
10.
Sometimes she rode, sometimes she gaed.
Sometimes sat down to mourn ;
And aye the o'er word of her tale.
Shall I e'^er see my bonny laddie come ? my dear,*
Shall I e'er see my bonny laddie come ?
11.
The trooper turn'd himself about.
All on the Irish shore ;
He has given the bridle reins a shake.
Saying, adieu for evermore, my dear.
Saying, adieu for evermore !
" The ballad, as it appears in the Museum, was much
admired by Sir Walter Scott ; he was delighted to hear it
sung by his daughter, Mrs Loekhart." — (C. K. S.)
D.
EVAN BANKSo
Johnson committed a mistake in affixing the name of
Burns to this song, and various editors of his works, by
trusting to this, have fallen into a similar mistake, Currie,
aware of this error, withdrew it in his second edition. But
Cromek in the " Reliques," having given the song anew in
Burns's name, Sir Walter Scott, in an article in the Quar-
terly Review on that volume, says, " Mr Cromek ought to
have known that this beautiful song was published by Dr
Currie in his first edition of Burns's works, and omitted in
all those which followed, because it was ascertained to be
the composition of Helen Maria Williams, who wrote it at
" " Shall I e'er see my bonny lad return ?"
9.
She took the slippers off her feet.
And the cockups off her hair.
And she has taken a long journey.
For seven long y^ars and mair, my dear.
For seven long years and mair.
10.
Sometimes she rode, sometimes she gaed.
Sometimes sat down to mourn ;
And aye the o'er word of her tale.
Shall I e'^er see my bonny laddie come ? my dear,*
Shall I e'er see my bonny laddie come ?
11.
The trooper turn'd himself about.
All on the Irish shore ;
He has given the bridle reins a shake.
Saying, adieu for evermore, my dear.
Saying, adieu for evermore !
" The ballad, as it appears in the Museum, was much
admired by Sir Walter Scott ; he was delighted to hear it
sung by his daughter, Mrs Loekhart." — (C. K. S.)
D.
EVAN BANKSo
Johnson committed a mistake in affixing the name of
Burns to this song, and various editors of his works, by
trusting to this, have fallen into a similar mistake, Currie,
aware of this error, withdrew it in his second edition. But
Cromek in the " Reliques," having given the song anew in
Burns's name, Sir Walter Scott, in an article in the Quar-
terly Review on that volume, says, " Mr Cromek ought to
have known that this beautiful song was published by Dr
Currie in his first edition of Burns's works, and omitted in
all those which followed, because it was ascertained to be
the composition of Helen Maria Williams, who wrote it at
" " Shall I e'er see my bonny lad return ?"
Set display mode to: Large image | Transcription
Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated.
Special collections of printed music > Glen Collection of printed music > Printed music > Scots musical museum > Volume 5 > (228) Page 468 |
---|
Permanent URL | https://digital.nls.uk/87805346 |
---|
Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
---|
Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
---|