Glen Collection of printed music > Printed text > Compendium, or, Introduction to practical music
(62) Page 40
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40 <^4 Compendhim ofiJlvsic*
Occafion ; or when your own Fancy Hiall move
you thereto 5 provided thofe Leaps be made into
Imperfed: Concords, as you may fee by this Example.
3 3 5 3 5 3 3 3 5 §
Having told you that we feldom ufe ^ths in two
Farts, tis fit I gwt you feme Accompt of thofe in
the late Examples ; The firft is in the third Bar of
the firll Example, where the Treble meets the Bafs
in contrary Motion ; therefore allowable. In the
fecond Example are three 8?/;x. The firft in the firft
Bar, the Treble keeping its place, and therefore al-
lowaye. The fecond meets in contrary Motion ;
the third keeps its place. In the third Example are
two %ths^ the firfl begins the Strain, the fecond the
latter Part thereof; in all which beginnings, an 2>th
may properly be ufcd. Laftly, all thofe 2>ths which
you fee at the Conclufion of the Examples, are
not only allowable, but moft proper and natural.
A s for thofe two Sharps which you fee in the
fecond Example ; the firft of them is difputable,
as many times it happens in Mufic ; in which
doubts the Ear is always to be Umpire. The o-
ther Sharp depends more upon a Rule ; which Is^
that xdjen the Bafs doth fall a ^di, or rije a 4th 5
that Nctey from which it fo rifes or faUsy doth com-
7rionly require the Sharp or Greater ^d to be joined to
it And being here at the Conclufion, it hath a
further Concern ; which is, that a Binding Ca-
dence is m^ade of that Greater 3^, by joyning part
of it CO the foregoing Note, which is as frequent
in
Occafion ; or when your own Fancy Hiall move
you thereto 5 provided thofe Leaps be made into
Imperfed: Concords, as you may fee by this Example.
3 3 5 3 5 3 3 3 5 §
Having told you that we feldom ufe ^ths in two
Farts, tis fit I gwt you feme Accompt of thofe in
the late Examples ; The firft is in the third Bar of
the firll Example, where the Treble meets the Bafs
in contrary Motion ; therefore allowable. In the
fecond Example are three 8?/;x. The firft in the firft
Bar, the Treble keeping its place, and therefore al-
lowaye. The fecond meets in contrary Motion ;
the third keeps its place. In the third Example are
two %ths^ the firfl begins the Strain, the fecond the
latter Part thereof; in all which beginnings, an 2>th
may properly be ufcd. Laftly, all thofe 2>ths which
you fee at the Conclufion of the Examples, are
not only allowable, but moft proper and natural.
A s for thofe two Sharps which you fee in the
fecond Example ; the firft of them is difputable,
as many times it happens in Mufic ; in which
doubts the Ear is always to be Umpire. The o-
ther Sharp depends more upon a Rule ; which Is^
that xdjen the Bafs doth fall a ^di, or rije a 4th 5
that Nctey from which it fo rifes or faUsy doth com-
7rionly require the Sharp or Greater ^d to be joined to
it And being here at the Conclufion, it hath a
further Concern ; which is, that a Binding Ca-
dence is m^ade of that Greater 3^, by joyning part
of it CO the foregoing Note, which is as frequent
in
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Special collections of printed music > Glen Collection of printed music > Printed text > Compendium, or, Introduction to practical music > (62) Page 40 |
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Permanent URL | https://digital.nls.uk/87774748 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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