Glen Collection of printed music > Printed text > Scottish ballads
(305) Page 281
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281
In glided Margaret's grimly ghost,
And stood at William's feet.
Her face was like an April morn,
Clad in a wintry cloud ,•
And clay-cold was her lilie hand,
That held the sable shroud.*
So shall the fairest face appear,
When youth and years are floAvn ;
Such is the robe that kings must wear,
When death has reft their crown.
Her bloom was like the springing flower,
That sips the silver dew ;
The rose was budded in her cheek,
Just opening to the view.
But love had, like the canker-worm,
Consumed her early prime :
The rose grew pale, and left her cheek ;
She died before her time.
" Awake !" she cried; " thy true love calls;
Come from her midnight grave ;
Now let thy pity hear the maid
Thy love refused to save.
This is the dark and dreary hour,
When injured ghosts complain ;
Now yawning graves give up their dead,
To haunt the faithless swain.
These lines have acquired an importance, by giving birth to one of the
most beautiful ballads in our own or any language, * Margaret's Ghost.' "
— Percy's Reliques, vol. iv-
Margaret's Ghost is given in continuation, from the same work.
* This is, perhaps, the only instance in popular poetry, of a ghost being
described as appearing in black attire.
In glided Margaret's grimly ghost,
And stood at William's feet.
Her face was like an April morn,
Clad in a wintry cloud ,•
And clay-cold was her lilie hand,
That held the sable shroud.*
So shall the fairest face appear,
When youth and years are floAvn ;
Such is the robe that kings must wear,
When death has reft their crown.
Her bloom was like the springing flower,
That sips the silver dew ;
The rose was budded in her cheek,
Just opening to the view.
But love had, like the canker-worm,
Consumed her early prime :
The rose grew pale, and left her cheek ;
She died before her time.
" Awake !" she cried; " thy true love calls;
Come from her midnight grave ;
Now let thy pity hear the maid
Thy love refused to save.
This is the dark and dreary hour,
When injured ghosts complain ;
Now yawning graves give up their dead,
To haunt the faithless swain.
These lines have acquired an importance, by giving birth to one of the
most beautiful ballads in our own or any language, * Margaret's Ghost.' "
— Percy's Reliques, vol. iv-
Margaret's Ghost is given in continuation, from the same work.
* This is, perhaps, the only instance in popular poetry, of a ghost being
described as appearing in black attire.
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Special collections of printed music > Glen Collection of printed music > Printed text > Scottish ballads > (305) Page 281 |
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Permanent URL | https://digital.nls.uk/87741637 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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