Glen Collection of printed music > Printed music > Selection of original Scots songs in three parts
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THE LASS OF LIVING STO N.
PaIN’D with her flighting Jamie’s love.
Bell dropt a tear—Bell dropt a tear;
The Gods, defcended from above.
Well pleas’d to hear—well pleas’d to hear:
They heard the praifes of the youth
From her own tongue—from her own tongue;
Who now converted was to truth.
And thus fhe fung—and thus flic fung:
Blefs’d days! when our ingenious fex
More frank and kind—more frank and kind-
D;d not their lov’d adorers vex.
But fpoke their mind—but fpoke their mind.
Repenting now, fhe promis’d fair,
Wou’d he return—wou’d he return.
She ne’er again would give him care.
Or caufe him mourn—or caufe him mourn.
Why lov’d I thee, deferving fwain!
Yet ftill thought fhame—yet Bill thought fhame
When he my yielding heart did gain,
To own my flame—to own my flame ?
Why took I pleafure to torment
And feem too coy—and feem too coy P
Which makes me now, alas! lament
My flighted joy—my flighted joy.
Ye fair, while beauty’s in it’s fpring,
Own your defire—own your defire;
While love’s young pow’r wi’ his foft wing
Fans up the fire—fans up the fire;
O! do not with a filly pride,
Or low defign—or low defign,
Refufe to be a happy bride.
But anfwer kind—but anfwer kind.
Thus the fair mourner wail’d her crime
With flowing eyes—with flowing eyes.
Glad Jamie heard her all the time
Withfweet furprife—with fweet furprife;
Some God had led him to the grove.
His mind unchang’d—his mind unchang’d.
Flew to her arms and cry’d, my love,
I am reveng’d—I am reveng’d!
THE LASS OF LIVING STO N.
PaIN’D with her flighting Jamie’s love.
Bell dropt a tear—Bell dropt a tear;
The Gods, defcended from above.
Well pleas’d to hear—well pleas’d to hear:
They heard the praifes of the youth
From her own tongue—from her own tongue;
Who now converted was to truth.
And thus fhe fung—and thus flic fung:
Blefs’d days! when our ingenious fex
More frank and kind—more frank and kind-
D;d not their lov’d adorers vex.
But fpoke their mind—but fpoke their mind.
Repenting now, fhe promis’d fair,
Wou’d he return—wou’d he return.
She ne’er again would give him care.
Or caufe him mourn—or caufe him mourn.
Why lov’d I thee, deferving fwain!
Yet ftill thought fhame—yet Bill thought fhame
When he my yielding heart did gain,
To own my flame—to own my flame ?
Why took I pleafure to torment
And feem too coy—and feem too coy P
Which makes me now, alas! lament
My flighted joy—my flighted joy.
Ye fair, while beauty’s in it’s fpring,
Own your defire—own your defire;
While love’s young pow’r wi’ his foft wing
Fans up the fire—fans up the fire;
O! do not with a filly pride,
Or low defign—or low defign,
Refufe to be a happy bride.
But anfwer kind—but anfwer kind.
Thus the fair mourner wail’d her crime
With flowing eyes—with flowing eyes.
Glad Jamie heard her all the time
Withfweet furprife—with fweet furprife;
Some God had led him to the grove.
His mind unchang’d—his mind unchang’d.
Flew to her arms and cry’d, my love,
I am reveng’d—I am reveng’d!
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Special collections of printed music > Glen Collection of printed music > Printed music > Selection of original Scots songs in three parts > (61) Page 24 |
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Permanent URL | https://digital.nls.uk/105725881 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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