Glen Collection of printed music > Printed music > Choice selection of ancient and modern Scots songs
(7) [Page iii]
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A Scott ifh fon^, thus performed, v .i i* >r.^ Ids Uv he t w i eirt^rva ' n-•
-ments to a mufical genius But is tdvi > ^’;uh\s to h a in
the performer or hearer? It cannot; Genius in imil’ic, as in poetrv,is the
g*ift of heaven. It is horn vdth us ^ it is not to be learned.
tt
An artift on the violin may difplay the ma^ic of his finders,in running-
from the top to the bottom of the finger-hoard^ in various intricate
capricious, vhich,at most, vi! 1 only excite furprife^ while a very middle
= ing p erformer, of tafte and feeling, in a fuhject that admits of the
pathos, veil] touch the heart in its fineft fenfations. The fineft of the Italian
compofers, and many of their fingers, poffefs this to an amazing degree.
The opera airs of these great mafters, Pergolefe, Jomelli, Galuppi, Perez,
and many others of the prefent age , are aftonifhingly pathetic and mov^
i ing. Genius, hoveever, and feeling, are not confined to country or climate.
A maid, at her fpinning wheel, who knew not a note in mufic, with a
fweet voice, and the force of a nathe genius, has oft drawn tears from
my eyes. That gift of heaven, in fhort, is not to he defined^ It can
cnly he felt
A Scott ifh fon^, thus performed, v .i i* >r.^ Ids Uv he t w i eirt^rva ' n-•
-ments to a mufical genius But is tdvi > ^’;uh\s to h a in
the performer or hearer? It cannot; Genius in imil’ic, as in poetrv,is the
g*ift of heaven. It is horn vdth us ^ it is not to be learned.
tt
An artift on the violin may difplay the ma^ic of his finders,in running-
from the top to the bottom of the finger-hoard^ in various intricate
capricious, vhich,at most, vi! 1 only excite furprife^ while a very middle
= ing p erformer, of tafte and feeling, in a fuhject that admits of the
pathos, veil] touch the heart in its fineft fenfations. The fineft of the Italian
compofers, and many of their fingers, poffefs this to an amazing degree.
The opera airs of these great mafters, Pergolefe, Jomelli, Galuppi, Perez,
and many others of the prefent age , are aftonifhingly pathetic and mov^
i ing. Genius, hoveever, and feeling, are not confined to country or climate.
A maid, at her fpinning wheel, who knew not a note in mufic, with a
fweet voice, and the force of a nathe genius, has oft drawn tears from
my eyes. That gift of heaven, in fhort, is not to he defined^ It can
cnly he felt
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Special collections of printed music > Glen Collection of printed music > Printed music > Choice selection of ancient and modern Scots songs > (7) [Page iii] |
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Permanent URL | https://digital.nls.uk/105684035 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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