Lost trumpet
(279)
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![(279)](https://deriv.nls.uk/dcn17/2051/9310/205193109.17.jpg)
THE LOST TRUMPET 279
and Pelagueya, hair wind-blown, backgrounded with
that green and grey. . . . That, and a sudden loosen¬
ing and freeing of the blood in every vein of my
body. I was neither blinded nor stunned. Instead,
suddenly happy and impatient in a breath. I stood
still, impatiently, and then the darkness that had
succeeded the flash and roar suddenly passed and the
room was flooded with the sunshine of the morning.
Not a yard from me stood Pelagueya, her hands
at her eyes. I caught those hands and she blinked up
at me as one slowly returning to the world.
“Princess—you are unharmed ? Pelagueya—only
now I’ve thought—what nonsense to call you
Princess, what nonsense I’ve always talked to you!
Often and always, never saying the things I have
wanted to say and was meant to say. But now—We
are going to be married. To-day, if we can.”
“Anton ”
“And not for romance or remembrance or honour.
Because I love you and desire you and have envied
every lost rose petal that ever knew you. Married.
But not for Egypt ”
Her arms round my neck then. “I know. It
came to me in a flash just now—in that flash. And
we’re talking our life-secrets to everybody, and what
does it matter ? . . . Back to Russia, both of us. And
I don’t care though they set me to cleaning latrines or
fighting provocateurs or polishing Stalin’s top-
boots. The fun of it—to work and talk and fight
for daylight and sanity ! Anton, why haven’t we gone
before ?”
and Pelagueya, hair wind-blown, backgrounded with
that green and grey. . . . That, and a sudden loosen¬
ing and freeing of the blood in every vein of my
body. I was neither blinded nor stunned. Instead,
suddenly happy and impatient in a breath. I stood
still, impatiently, and then the darkness that had
succeeded the flash and roar suddenly passed and the
room was flooded with the sunshine of the morning.
Not a yard from me stood Pelagueya, her hands
at her eyes. I caught those hands and she blinked up
at me as one slowly returning to the world.
“Princess—you are unharmed ? Pelagueya—only
now I’ve thought—what nonsense to call you
Princess, what nonsense I’ve always talked to you!
Often and always, never saying the things I have
wanted to say and was meant to say. But now—We
are going to be married. To-day, if we can.”
“Anton ”
“And not for romance or remembrance or honour.
Because I love you and desire you and have envied
every lost rose petal that ever knew you. Married.
But not for Egypt ”
Her arms round my neck then. “I know. It
came to me in a flash just now—in that flash. And
we’re talking our life-secrets to everybody, and what
does it matter ? . . . Back to Russia, both of us. And
I don’t care though they set me to cleaning latrines or
fighting provocateurs or polishing Stalin’s top-
boots. The fun of it—to work and talk and fight
for daylight and sanity ! Anton, why haven’t we gone
before ?”
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Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated.
The books of Lewis Grassic Gibbon > Lost trumpet > (279) |
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Permanent URL | https://digital.nls.uk/205193107 |
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Description | J. Leslie Mitchell. |
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Shelfmark | Vts.143.j.8 |
Attribution and copyright: |
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Description | Sixteen books written by Lewis Grassic Gibbon (1901-1935), regarded as the most important Scottish prose writer of the early 20th century. All were published in the last seven years of his life, mostly under his real name, James Leslie Mitchell. They include two works of science fiction, non-fiction works on exploration, short stories set in Egypt, a novel about Spartacus, and the classic 'Scots Quair' trilogy which includes 'Sunset Song'. Mitchell's first book 'Hanno, or the future of exploration' (1928) is rare and has never been republished. |
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