Lost trumpet
(150)
Download files
Complete book:
Individual page:
Thumbnail gallery: Grid view | List view
i5o
THE LOST TRUMPET
twinge of satisfaction at hearing a mingled canine
and piscine gasp from behind me. Then the band
struck up again a Negroid air to which it appeared
an alcoholic addict arrested at the cretin stage of
mental development had set words in pseudo-
English, and Pelagueya and I were dancing to the
strains of “A Night with YouT
She said : “Well, Anton ?”
I said : “Not well at all. If you were not a
princess and I not a dragoman, but two negroes in a
forest of the Congo, with a moon above us instead
of that lard-like face that conducts the orchestra ”
“Fun it would be ! Anton, I know! Let us go
there—to the Congo. Equip a caravan and set out
through the Sahara. Go south till we strike Timbuctoo
and then down that River ”
“All so that we may dance in the Congo ?”
“It would be great fun. You dance very well
still, if a little like a Negro who has been at a mis¬
sionary school . . .”
She stopped in that remark, for her words and
the tom-tom beat that underlay the frills and adorn¬
ments of the foolish music had made me for a moment
forget my self-admired composure. She looked up
in such fashion as I do not care to write of.
“Oh, Anton—sometimes you forget the mission
school!”
And at her words I instantly remembered it,
seeing the curious glances cast on us. We jogged and
dipped and stamped and slithered with decorous
seemliness. Pelagueya sighed, sweetly, whimsically.
THE LOST TRUMPET
twinge of satisfaction at hearing a mingled canine
and piscine gasp from behind me. Then the band
struck up again a Negroid air to which it appeared
an alcoholic addict arrested at the cretin stage of
mental development had set words in pseudo-
English, and Pelagueya and I were dancing to the
strains of “A Night with YouT
She said : “Well, Anton ?”
I said : “Not well at all. If you were not a
princess and I not a dragoman, but two negroes in a
forest of the Congo, with a moon above us instead
of that lard-like face that conducts the orchestra ”
“Fun it would be ! Anton, I know! Let us go
there—to the Congo. Equip a caravan and set out
through the Sahara. Go south till we strike Timbuctoo
and then down that River ”
“All so that we may dance in the Congo ?”
“It would be great fun. You dance very well
still, if a little like a Negro who has been at a mis¬
sionary school . . .”
She stopped in that remark, for her words and
the tom-tom beat that underlay the frills and adorn¬
ments of the foolish music had made me for a moment
forget my self-admired composure. She looked up
in such fashion as I do not care to write of.
“Oh, Anton—sometimes you forget the mission
school!”
And at her words I instantly remembered it,
seeing the curious glances cast on us. We jogged and
dipped and stamped and slithered with decorous
seemliness. Pelagueya sighed, sweetly, whimsically.
Set display mode to: Universal Viewer | Mirador | Large image | Transcription
Images and transcriptions on this page, including medium image downloads, may be used under the Creative Commons Attribution 4.0 International Licence unless otherwise stated.
The books of Lewis Grassic Gibbon > Lost trumpet > (150) |
---|
Permanent URL | https://digital.nls.uk/205191427 |
---|
Description | J. Leslie Mitchell. |
---|---|
Shelfmark | Vts.143.j.8 |
Attribution and copyright: |
|
More information |
Description | Sixteen books written by Lewis Grassic Gibbon (1901-1935), regarded as the most important Scottish prose writer of the early 20th century. All were published in the last seven years of his life, mostly under his real name, James Leslie Mitchell. They include two works of science fiction, non-fiction works on exploration, short stories set in Egypt, a novel about Spartacus, and the classic 'Scots Quair' trilogy which includes 'Sunset Song'. Mitchell's first book 'Hanno, or the future of exploration' (1928) is rare and has never been republished. |
---|---|
Additional NLS resources: |
|