Lost trumpet
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132
THE LOST TRUMPET
civilization and life a cruel and bestial thing. In a
sane world this money of yours—this property of
yours—it would be controlled for the good of the
community by the responsible and efficient.”
“Am I neither ?”
“You are a Princess, and beautiful. And there is
no voice so lovely in the world, I think, as a Russian
woman’s. And your mind is ruthless and eager.
But it is no industrialist’s : it is the mind of a dream-
ridden Slav politician.”
“Oh, I know !” She flung aside Esdras Quaritch
—so impatiently that the book fell on the ground
and I had to stoop and retrieve it. “I am Russian to
the core, Anton. Lovely voices—think of all the
other lovely things they have ! Remember the Volga
and the roofs of Kazan in winter ”
“And the music, and the live, kind faces,” I said,
and she rekindled her torch at mine.
“—and the talk, so good and fine and understand¬
ing and desperately silly and desperately splendid.
And the selflessness—and the Asiatic fanatic and saint
in the most stupid face—and someone reciting
Lermontov ’ ’
We stared at each other, white-faced Pelagueya
as I think I was, and sick with nostalgia. Russia !
Around us the green and brown babble of Cairo.
If we took the road to a ship and Suez—to Istambul
—through the Black Sea . . . some morning the
quays and towers of Odessa would rise, kindly and
grey, and those beloved, foolish voices ring in our
ears again. . . . Pelagueya was laughing whitely.
THE LOST TRUMPET
civilization and life a cruel and bestial thing. In a
sane world this money of yours—this property of
yours—it would be controlled for the good of the
community by the responsible and efficient.”
“Am I neither ?”
“You are a Princess, and beautiful. And there is
no voice so lovely in the world, I think, as a Russian
woman’s. And your mind is ruthless and eager.
But it is no industrialist’s : it is the mind of a dream-
ridden Slav politician.”
“Oh, I know !” She flung aside Esdras Quaritch
—so impatiently that the book fell on the ground
and I had to stoop and retrieve it. “I am Russian to
the core, Anton. Lovely voices—think of all the
other lovely things they have ! Remember the Volga
and the roofs of Kazan in winter ”
“And the music, and the live, kind faces,” I said,
and she rekindled her torch at mine.
“—and the talk, so good and fine and understand¬
ing and desperately silly and desperately splendid.
And the selflessness—and the Asiatic fanatic and saint
in the most stupid face—and someone reciting
Lermontov ’ ’
We stared at each other, white-faced Pelagueya
as I think I was, and sick with nostalgia. Russia !
Around us the green and brown babble of Cairo.
If we took the road to a ship and Suez—to Istambul
—through the Black Sea . . . some morning the
quays and towers of Odessa would rise, kindly and
grey, and those beloved, foolish voices ring in our
ears again. . . . Pelagueya was laughing whitely.
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The books of Lewis Grassic Gibbon > Lost trumpet > (132) |
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Permanent URL | https://digital.nls.uk/205191193 |
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Description | J. Leslie Mitchell. |
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Shelfmark | Vts.143.j.8 |
Attribution and copyright: |
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More information |
Description | Sixteen books written by Lewis Grassic Gibbon (1901-1935), regarded as the most important Scottish prose writer of the early 20th century. All were published in the last seven years of his life, mostly under his real name, James Leslie Mitchell. They include two works of science fiction, non-fiction works on exploration, short stories set in Egypt, a novel about Spartacus, and the classic 'Scots Quair' trilogy which includes 'Sunset Song'. Mitchell's first book 'Hanno, or the future of exploration' (1928) is rare and has never been republished. |
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