Lost trumpet
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THE LOST TRUMPET
1*5
Subchapter in
I had pulled her aside, barely in the nick of time,
as the three figures, fighting and clawing, rolled out
of the doorway near which we stood, hit the street
with considerable impact, and in the gutter con¬
tinued the dispute with unabated vigour. Pelagueya
I pushed away and made for the combative trio as I
saw the flash of a knife. The point of my shoe and a
wrist came in sharp contact. A yell rent the air of
the Wagh el Berka. Encouraged, I applied the shoe
again, to call forth similar appreciation. The trium¬
virate split apart, Crassus, an old woman, cat¬
spitting and half-clad, her grey hair in a tangle about
her face, bolted back into the doorway of the house ;
Pompey, fat, a bloated Egyptian in a fez, abandoned
armaments and followed his fellow-triumvir pre¬
cipitately. Was left Caesar, sitting upright, touching
the side of his head with tentative fingers.
“B’God, it’s still whole !”
“What is ?” I inquired, staring at him half-
rememberingly.
“My skull, you fool.” He stood up, swayingly,
and set to beat from his clothes a cloud of dust.
Pelagueya I found by my side. I suddenly recognized
the evicted triumvir. It was the young man who
had informed Huebsch, Marrot and myself on the
authentic character of Solomon that night at Simon’s.
“I see,” I said, “that you have been emulating the
good Solomon.”
“Eh ?” He stood upright. He reeked of brandy.
1*5
Subchapter in
I had pulled her aside, barely in the nick of time,
as the three figures, fighting and clawing, rolled out
of the doorway near which we stood, hit the street
with considerable impact, and in the gutter con¬
tinued the dispute with unabated vigour. Pelagueya
I pushed away and made for the combative trio as I
saw the flash of a knife. The point of my shoe and a
wrist came in sharp contact. A yell rent the air of
the Wagh el Berka. Encouraged, I applied the shoe
again, to call forth similar appreciation. The trium¬
virate split apart, Crassus, an old woman, cat¬
spitting and half-clad, her grey hair in a tangle about
her face, bolted back into the doorway of the house ;
Pompey, fat, a bloated Egyptian in a fez, abandoned
armaments and followed his fellow-triumvir pre¬
cipitately. Was left Caesar, sitting upright, touching
the side of his head with tentative fingers.
“B’God, it’s still whole !”
“What is ?” I inquired, staring at him half-
rememberingly.
“My skull, you fool.” He stood up, swayingly,
and set to beat from his clothes a cloud of dust.
Pelagueya I found by my side. I suddenly recognized
the evicted triumvir. It was the young man who
had informed Huebsch, Marrot and myself on the
authentic character of Solomon that night at Simon’s.
“I see,” I said, “that you have been emulating the
good Solomon.”
“Eh ?” He stood upright. He reeked of brandy.
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The books of Lewis Grassic Gibbon > Lost trumpet > (125) |
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Permanent URL | https://digital.nls.uk/205191102 |
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Description | J. Leslie Mitchell. |
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Shelfmark | Vts.143.j.8 |
Attribution and copyright: |
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More information |
Description | Sixteen books written by Lewis Grassic Gibbon (1901-1935), regarded as the most important Scottish prose writer of the early 20th century. All were published in the last seven years of his life, mostly under his real name, James Leslie Mitchell. They include two works of science fiction, non-fiction works on exploration, short stories set in Egypt, a novel about Spartacus, and the classic 'Scots Quair' trilogy which includes 'Sunset Song'. Mitchell's first book 'Hanno, or the future of exploration' (1928) is rare and has never been republished. |
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