Lost trumpet
(94)
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THE LOST TRUMPET
94
Northern sun behind her. . . . Cool, with pale,
clear blue eyes, very fair hair and brows, a comely,
cleanly-moulded face with a rounded, barbarian
Viking jaw, a long mouth, even-toothed, small
hands and feet. And that heavy coolness. ... It
plagued me and piqued me. It is permissible for
any woman to look like a Valkyr. But no god or
code that ever existed has given authority for a
Valkyr to gaze and speak like a young woman of
the epoch Mid-Victorian, her mind a stubble field
stacked with dun and grainless cliches . . .
“And what do you think of Egypt ?” I asked in
some desperation, for I had been accustomed to other
types than this. She turned her strong-jawed face
upon me questioningly.
“Very nice. But the streets are very filthy, aren’t
they ? And the smell . . .”
Which was Egypt to the eyes of Aslaug Simonssen.
Cool and unsmiling of body and face and soul,
and fantastically woolly-minded, I appraised her
as we sat and ate the good Simon’s honey-cakes.
And there was something else about her, something
in those eyes unhealthy when matched with that
magnificent body
Looking straight in front of her, I found she was
beginning to tell me about the murder of her brother
Carl.
“ if he had been killed as people are killed
in fights with natives we’d have known exactly
what happened. But it wasn’t that way, and I’ve
come to find out about it.”
94
Northern sun behind her. . . . Cool, with pale,
clear blue eyes, very fair hair and brows, a comely,
cleanly-moulded face with a rounded, barbarian
Viking jaw, a long mouth, even-toothed, small
hands and feet. And that heavy coolness. ... It
plagued me and piqued me. It is permissible for
any woman to look like a Valkyr. But no god or
code that ever existed has given authority for a
Valkyr to gaze and speak like a young woman of
the epoch Mid-Victorian, her mind a stubble field
stacked with dun and grainless cliches . . .
“And what do you think of Egypt ?” I asked in
some desperation, for I had been accustomed to other
types than this. She turned her strong-jawed face
upon me questioningly.
“Very nice. But the streets are very filthy, aren’t
they ? And the smell . . .”
Which was Egypt to the eyes of Aslaug Simonssen.
Cool and unsmiling of body and face and soul,
and fantastically woolly-minded, I appraised her
as we sat and ate the good Simon’s honey-cakes.
And there was something else about her, something
in those eyes unhealthy when matched with that
magnificent body
Looking straight in front of her, I found she was
beginning to tell me about the murder of her brother
Carl.
“ if he had been killed as people are killed
in fights with natives we’d have known exactly
what happened. But it wasn’t that way, and I’ve
come to find out about it.”
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The books of Lewis Grassic Gibbon > Lost trumpet > (94) |
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Permanent URL | https://digital.nls.uk/205190699 |
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Description | J. Leslie Mitchell. |
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Shelfmark | Vts.143.j.8 |
Attribution and copyright: |
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More information |
Description | Sixteen books written by Lewis Grassic Gibbon (1901-1935), regarded as the most important Scottish prose writer of the early 20th century. All were published in the last seven years of his life, mostly under his real name, James Leslie Mitchell. They include two works of science fiction, non-fiction works on exploration, short stories set in Egypt, a novel about Spartacus, and the classic 'Scots Quair' trilogy which includes 'Sunset Song'. Mitchell's first book 'Hanno, or the future of exploration' (1928) is rare and has never been republished. |
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