Photographers
John Warwick Brooke
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| First World War 'Official Photographs' > Photographers > John Warwick Brooke > (1) C.1968 - Work in full swing in the lady carpenters workshop in France |
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| Permanent URL | https://digital.nls.uk/75171408 |
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| Description | Inside a wooden shed filled with workbenches. There are three or four women grouped around each bench. The women are mainly wearing dark overall-dresses. They are holding saws and have all paused to look at the camera. The scale of the loss of life encountered in this war, due to the introduction of mechanised weapons, was completely unexpected. As a result, women were called upon to fulfil traditionally male roles. [Original reads: 'OFFICIAL PHOTOGRAPH TAKEN ON THE BRITISH WESTERN FRONT IN FRANCE. Work in full swing in the lady carpenters workshop in France.'] |
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| Description | John Warwick Brooke, of the Topical Press Agency, was the second British official war photographer to go to the Western Front in 1916. The demands placed on he and his colleague, Ernest Brooks, were heavy. They had to take as many photographs as possible, with as much variety as possible, a difficult task for two men covering an army of over two million. Despite this, Warwick Brooke managed to take what would become some of the most memorable images of World War I. As an officially appointed photographer, Warwick Brooke was assigned to the Western Front to follow the progress of the British Army. During his time there, between 1916 and 1918, Warwick Brooke is estimated to have taken over 4,000 photographs. |
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| Description | Photographs by named photographers. |
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| Description | Black-and-white photographs mainly of the Western Front during the First World War. Official British war photographers took many of them for propaganda purposes. Unless otherwise stated, titles are the photographs' original captions. From the papers of Field Marshal (Earl) Haig (1861-1928). The Haig Papers also contain Douglas Haig’s diaries. |
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| Shelfmark | Acc.3155 |
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