This ballad was written by 'Glasgow's favourite comic singer', Charles Watson. We are told that he frequented the Shakespeare Saloon, which was in the Saltmarket, the principal area of the city for broadside publishing. Sung to the tune of 'Mr Cullen's Glasgow A B C', it begins, 'In this age of wonder, of fasion and delight, / Glasgow is the place of many a funny sight'. No printer is named but it is dated the morning of Saturday, May 2nd 1857, but it probably comes from the Glasgow Poet's Box.
The composition of these verses is rather amateurish but adds to the charm of this interesting ballad. Several prominent places in Glasgow are mentioned, and some commentary given on each. It concludes by mentioning the Shakespeare Saloon, its owner Mr Levy, and the fact that you can find Charlie Watson, the balladeer, there and he's 'always glad to see you'.
The Poet?s Box in Glasgow operated from 1849 to 1911. Matthew Leitch was the proprietor at 6 St. Andrew Lane?s, a narrow street on the south side of Gallowgate, from 1850 to 1858. His son William Munsie Leitch worked at the same address from 1859 to 1865 and at varous addresses in London Street until 1911. Many of the broadsides published by the Glasgow Poet?s Box were dated and some carried advertisements, not just for printed items but also for shoe blacking and ?soap for lovers?! Like the other ?boxes? in Dundee and Edinburgh, the Glasgow one sold love songs, sea shanties, parodies and dialogues. It is not clear what the connection between the different Poet?s Boxes were. They almost certainly sold each other?s sheets. It is known that John Sanderson in Edinburgh often wrote to the Leitches in Glasgow for songs and that later his brother Charles obtained copies of songs from the Dundee Poet?s Box. There was also a Poet?s Box in Belfast from 1846 to 1856 at the address of the printer James Moore, and one in Paisley in the early 1850s owned by William Anderson.
Early ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse.
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Date of publication:
1857 shelfmark: L.C.Fol.70(21a)
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