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Broadside ballad entitled 'Auld Thing Ower Again' |
CommentaryVerse 1: 'A widow lived in our toun, / And she was skeigh and in her prime, / And weel she lo'ed an auld tune, / But ne'er got ane to keep the time. / A fiddler passing by ae day, / And playing up a canty spring, / The widow fidged and laughed and said, / "Can ye play that auld thing ower again?"' The broadside was published by the Poet's Box, Overgate, Dundee'. At the bottom of the sheet a mail order service for songs is advertised. This ballad tells the story of a music-loving widow who is enchanted by the playing of a passing fiddler, and invites him to stay with her, an invitation he accepts. Ballads were frequently concerned with romantic or sexual matters, and it is probable that, in this example, the music and the playing of musical instruments were intended as metaphors for sexual attraction and sexual activity. It is not clear what the connection between the different Poet?s Boxes were. They almost certainly sold each other?s sheets. It is known that John Sanderson in Edinburgh often wrote to the Leitches in Glasgow for songs and that later his brother Charles obtained copies of songs from the Dundee Poet?s Box. There was also a Poet?s Box in Belfast from 1846 to 1856 at the address of the printer James Moore, and one at Paisley in the early 1850s, owned by William Anderson. Early ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse.
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Probable period of publication:
1880-1900 shelfmark: L.C.Fol.70(40b)
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