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![(114)](https://deriv.nls.uk/dcn17/1354/6782/135467824.17.jpg)
METAPHOR.
Mine only will reroain entire ;
No drofs was there, to perilh in the fire.
Metaphors, borrowed from any of the fciences, efpe-
daily from particular profefllons, are almoft always
faulty by their obfeurity.
In die fourth place we mufl never jumble metaphori¬
cal and plain language together ; never conftruft a pe¬
riod fo, that part of it muft be underftood metaphorical¬
ly, part literally ; which always produces confufion.
The works of Oflian afford an inftance of the fault, we
are now cenfuring, “ Trothal went forth with the
“ flream of his people, but they met a rock; for Fingal
“ Hood unmoved ; broken they rolled back from his
“ fide. Nor did they roll in fafety ; the fpear of the
“ king puifued their flight.’ ’ The metaphor at the be¬
ginning is beautiful; die “ flream,” the “ unmoved
“ rock,” the “ waves rolling back broken,” are expreffi-
ons in the proper and confident language of figure ;
but in the end, when wre are told, “ they did not roll
“ in fafety, becaufe the fpear of the king purfu-
“ ed their flight,” the literal meaning is injudi-
cioufly mixed with the metaphor; diey are at the fame
moment prefented to us, as waves that roll, and as men,
that may be purfued and 'wounded by a fpear.
In the fifth place take care not to make two differ*
eat metaphors meet on the fame obje<£h This, which
is called mixed metaphor, is one of die groffeft abulls-
Mine only will reroain entire ;
No drofs was there, to perilh in the fire.
Metaphors, borrowed from any of the fciences, efpe-
daily from particular profefllons, are almoft always
faulty by their obfeurity.
In die fourth place we mufl never jumble metaphori¬
cal and plain language together ; never conftruft a pe¬
riod fo, that part of it muft be underftood metaphorical¬
ly, part literally ; which always produces confufion.
The works of Oflian afford an inftance of the fault, we
are now cenfuring, “ Trothal went forth with the
“ flream of his people, but they met a rock; for Fingal
“ Hood unmoved ; broken they rolled back from his
“ fide. Nor did they roll in fafety ; the fpear of the
“ king puifued their flight.’ ’ The metaphor at the be¬
ginning is beautiful; die “ flream,” the “ unmoved
“ rock,” the “ waves rolling back broken,” are expreffi-
ons in the proper and confident language of figure ;
but in the end, when wre are told, “ they did not roll
“ in fafety, becaufe the fpear of the king purfu-
“ ed their flight,” the literal meaning is injudi-
cioufly mixed with the metaphor; diey are at the fame
moment prefented to us, as waves that roll, and as men,
that may be purfued and 'wounded by a fpear.
In the fifth place take care not to make two differ*
eat metaphors meet on the fame obje<£h This, which
is called mixed metaphor, is one of die groffeft abulls-
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Antiquarian books of Scotland > Languages & literature > Abridgement of lectures on rhetoric > (114) |
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Permanent URL | https://digital.nls.uk/135467822 |
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Description | Thousands of printed books from the Antiquarian Books of Scotland collection which dates from 1641 to the 1980s. The collection consists of 14,800 books which were published in Scotland or have a Scottish connection, e.g. through the author, printer or owner. Subjects covered include sport, education, diseases, adventure, occupations, Jacobites, politics and religion. Among the 29 languages represented are English, Gaelic, Italian, French, Russian and Swedish. |
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