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(194) Page 174 - O, Sandy, why leaves thou thy Nelly
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174
®, Sanb^, wb^ leaves tbou tb^ IRell^?
Andante.
THEO' THE WOOD, LADDIE.*
-^
Allan Ramsay.
Voice.
^
:^=
^
1. 0, San - dy, 'wliy
2. The -woods are now
3. Then stay, my dear
=iiR
I
PlAXO. '
m£
a:=r
^
poco rit.
^^=2=
^
^=;^
S
^3
£^
^=^=3
S
£
=^
-h
1. leaves thou thy Nel
2. bon - nie, and morn
3. San - dy, nae lang
ly
mss
to
are
a
mourn ? Thy
clear, While
way. But
pre - sence can
lav' - rooks are
quick as an
ease me When
sing- ing. And
ar - row Haste
m
^^f^^^
w
-rsf
r
^p^
fe
:i=i^
1=^
dim.
rit.
a tempo,
—fi
P^=^=^
lizzji
— ^ -<^ar
J:
:t-S=
S
prim
here
thing could please me ; Now, dow •
- ro - ses spring - ing ; Yet none
to thy . mar - row Wha's liv -
• ie, I sigh on the banks of the
o' them pleas-es my eye or my
ing in lan-gour till that hap - py
1. burn, Or thro' the wood, lad - die,
2. ear. When thro' the wood, lad - die,
3. day. When thro' the wood, lad - die,
*=^=S
ye
we'll
til thou re - turn.
din - na ap - jiear.
dance, sing, and play.
* This air occurs in Thomson's Orpheus CalecUmitis, 1725, to verses bv Eamsar, beginning, " As oarlr I walk'd on the first of sweet May";
Mctribbon also included it in vol. ii. of liis Collection <f.%nts Tunes, 1(46. The'song given above is publishe<i in the Tm-Tahle Miscettamj, 1724.
Dr. Blacklock supplied Johnson with what he considered to be the original verses to " Tliro' the wood, Laddie ; " they are given in vol. ii. of
the Mussum, Song 164.
®, Sanb^, wb^ leaves tbou tb^ IRell^?
Andante.
THEO' THE WOOD, LADDIE.*
-^
Allan Ramsay.
Voice.
^
:^=
^
1. 0, San - dy, 'wliy
2. The -woods are now
3. Then stay, my dear
=iiR
I
PlAXO. '
m£
a:=r
^
poco rit.
^^=2=
^
^=;^
S
^3
£^
^=^=3
S
£
=^
-h
1. leaves thou thy Nel
2. bon - nie, and morn
3. San - dy, nae lang
ly
mss
to
are
a
mourn ? Thy
clear, While
way. But
pre - sence can
lav' - rooks are
quick as an
ease me When
sing- ing. And
ar - row Haste
m
^^f^^^
w
-rsf
r
^p^
fe
:i=i^
1=^
dim.
rit.
a tempo,
—fi
P^=^=^
lizzji
— ^ -<^ar
J:
:t-S=
S
prim
here
thing could please me ; Now, dow •
- ro - ses spring - ing ; Yet none
to thy . mar - row Wha's liv -
• ie, I sigh on the banks of the
o' them pleas-es my eye or my
ing in lan-gour till that hap - py
1. burn, Or thro' the wood, lad - die,
2. ear. When thro' the wood, lad - die,
3. day. When thro' the wood, lad - die,
*=^=S
ye
we'll
til thou re - turn.
din - na ap - jiear.
dance, sing, and play.
* This air occurs in Thomson's Orpheus CalecUmitis, 1725, to verses bv Eamsar, beginning, " As oarlr I walk'd on the first of sweet May";
Mctribbon also included it in vol. ii. of liis Collection <f.%nts Tunes, 1(46. The'song given above is publishe<i in the Tm-Tahle Miscettamj, 1724.
Dr. Blacklock supplied Johnson with what he considered to be the original verses to " Tliro' the wood, Laddie ; " they are given in vol. ii. of
the Mussum, Song 164.
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Special collections of printed music > Glen Collection of printed music > Printed music > Minstrelsy of Scotland > (194) Page 174 - O, Sandy, why leaves thou thy Nelly |
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Permanent URL | https://digital.nls.uk/91380446 |
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Description | Scottish songs and music of the 18th and early 19th centuries, including music for the Highland bagpipe. These are selected items from the collection of John Glen (1833 to 1904). Also includes a few manuscripts, some treatises, and other books on the subject. |
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Description | The Glen Collection and the Inglis Collection represent mainly 18th and 19th century Scottish music, including Scottish songs. The collections of Berlioz and Verdi collected by bibliographer Cecil Hopkinson contain contemporary and later editions of the works of the two composers Berlioz and Verdi. |
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