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ON THE AUTHENTICITY
ted real, he embellishes these facts by every
species of fiction, and hesitates not to call
in to his aid every sort of supernatural ma-
chinery. In the Odyssey, again, he makes
the supposed wanderings of his hero the
vehicle for a surprising tissue of adventures,
and for a pleasing description of the man-
ners and customs of various nations. In a
plan like this, there was ample room for
every species of embellishment, and the in-
troduction of every image, that is calculated
to please, might justly be expected.
But the object of the Celtic bard, upon
the other hand, was to relate, in verse in-
deed, or in a measured diction, for the ease
of the memory, subjects of true history. He
was limited, by his office, to the celebration of
illustrious events, and the transactions of il-
lustrious persons, chiefly his own contempo-
raries ; but, to the detail of domestic events
and characters, he could as seldom descend
as Thucydides or Livy. He was not preclu-

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