Broadside ballad entitled 'Come Down and Open the Door, Love'

Commentary

Verse 1: 'I've been to a party, I've been to a ball, / I've been where there's you can see; / I've been where there's swells, and such pretty girls, / And I've had a jolly good spree. / I've just staggered home, but I've lost my key, / My wife she won't open the door, / I've knocked and I've bawled, at the window threw stones / For over two hours I'm sure.' The ballad was published by the Poet's Box, 182 Overgate, Dundee.

This comic song features a very drunk narrator who has been locked out of his house and is trying to persuade his wife to let him back in. The way the song is laid out on the page, incoporating stage directions and spoken interludes, confirms that it was intended for public performance, probably in a music hall. Music halls originated in British taverns and inns in the early nineteenth century, when landlords hired acts to entertain their customers. Soon music halls were being custom-built, and the phenomenon reached its peak in the 1880s.
The Dundee Poets? Box was in operation from about 1880 to 1945, though it is possible that some material was printed as early as the 1850s. Most of the time it had premises at various addresses in Overgate. In 1885 the proprietor J.G. Scott (at 182 Overgate) had published a catalogue of 2,000 titles consisting of included humorous recitations, dialogues, temperance songs, medleys, parodies, love songs, Jacobite songs. Another proprietor in the 1880s was William Shepherd, but little is known about him. Poets? Box was particularly busy on market days and feeing days when country folk were in town in large numbers. Macartney specialised in local songs and bothy ballads. Many Irish songs were published by the Poets? Box ? many Irishmen worked seasonally harvesting potatoes and also in the jute mills. In 1906 John Lowden Macartney took over as proprietor of the Poet?s Box, initially working from 181 Overgate and later from no.203 and 207.

It is not clear what the connection between the different Poet?s Boxes were. They almost certainly sold each other?s sheets. It is known that John Sanderson in Edinburgh often wrote to the Leitches in Glasgow for songs and that later his brother Charles obtained copies of songs from the Dundee Poet?s Box. There was also a Poet?s Box in Belfast from 1846 to 1856 at the address of the printer James Moore, and one at Paisley in the early 1850s, owned by William Anderson.

Early ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse.

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